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I’ve seen a few production pedals that used a bent metal piece that keeps contact with the lid when closed up.

More numbers and cryptic shit in it makes it look more legit.

In a good or bad way?

Have a link for those?

I have about 100 of the audio jacks and can send some your way when I get back from this trip on Sunday.

Yep, they were on Dr Strange. I remember going down those lists and just buying random 7”s that I read about in MRR and waiting a month for them to show up. Thats how it worked back then!

I’m going to use this thread to document the design, production, and results of this project. I approached some old friends who’ve been playing since the 90s in a Chicago punk rock band the Bollweevils. https://chicagoreader.com/music/the-bollweevils-pop-punk/...

And there’s really no reason to have any zones there at all. Should be only traces the way the person laid it out.

If they used the ground plane, there’d be fewer traces too.

That would make it too easy 😂

That’s cool. I just assumed it all went to waste.

Ya, all the grounds are just connected together, which is fine. Keeping the rest of the copper doesn’t do anything really other than it going down the drain in the production process and making more work for the designer.

The 472 is 4n7 and 473 is 47n That’s the way you’ll find them written in the caps themselves usually- the third number denotes the number of zeroes that follow 472 = 4,700pF = 4.7nF 473 = 47,000pF = 47nF

I mean I’d drill very first thing before paint. Then the paint looks good and it helps line up your artwork.

I’d drill first.

PM me your address and I’ll send you one. No big deal man- kudos for finding a missing line in the documentation.

Many of us have found that using a 22 in Q1 or 3 takes noise issues and weirdness in one of the settings.

That’s a cool idea.

Have you checked continuity on each footswitch? Make sure the signal’s routing the way it should in each position.