We have two inverting stages here. I'm sure both are capable of clipping the signal. So maybe at some point we have more or less symmetric signal. I'm on a vacation now so can't test the circuit to check what's going on.Good info!
The asymmetric clipping from the preamp section is quite apparent. Interesting that higher setting of PRE causes the preamp clipping to become more symmetric. The clipping at the output becomes more and more symmetric as PENTODES is turned up.
Yes. The PENTODES knob controls how hard the output stage is driven.So this pedal is a high headroom stage into a low headroom stage?
That's correct. Raising the power supply voltage does not automatically increase the preamp headroom. We also need to readjust the bias to take advantage of the higher rail voltage.By raising the voltage the headroom of the preamp part increases (the JFet parts) but power amp part (transistor) is not effected.
For a diff pair to work, the Vbes need to be matched. In the case of JFETs, Vp needs to be matched and we know what a PITA that would be. I also think that the BJT's exponential transfer function is better than the JFET square-law transfer function in this application. But hey, break out the breadboard and give it a try.So why the BJT transistors for the phase inverter? Why didn't the designer stick with JFETs throughout? Is there a tonal advantage here?
We need an official PedalPCB “Boneyard Edition” of this circuit.@Robert