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I'll rabbit hole the ADAU1701/similar stuff - this is likely a better solution than utterly rolling my own. Thanks!

Thanks for the link - a bit of informative homework and points of contact. I appreciate it!

Thanks for the input - if I've read support docs correctly it suggested to me that there are programs I can cycle through that can give me malleability. If that ISN'T the case then stereo output is too severe a limitation. I need only high and low outputs in the end for bi-amping so stereo will...

Meaning I am adjusting for/to 'flat' in a bi-amp system and need to be able to correct for two very different drivers at two radically different power levels. This is central to a powered wedge I built. FWIW I am using a MiniDSP at present - it isn't failing me, but it's a costly option that...

Looking at the Binaural Stereo or the Dev PCB as foundation for a DSP-driven crossover and curve/signal correction - line level in. Am I looking in the right direction? I expect there is a learning curve to successful programming and implementation, but I've built a few analog kits so by...

So if I am reading you correctly - you used resistors to make the series connected coils the same amplitude/signal strength as a/the single coil? If true, it's something I have never tried. I do understand the tonal differences between series and parallel harnesses but that is not the fight I am...

In a real way, the instrument this is headed toward is exactly the space the Gibson recording guitar occupies - it is a purpose built, very low tuned, studio oriented instrument. And by low I mean REALLY low - 20hz low. It will be all about subtleties. I do understand your meaning. There is...

Yes it does - but not entirely. This is my shortcomings, and not your lack of clear explanation. I have two passive switching options; a 4-position or a 3-position. The 4-position; bridge and middle only in series, bridge and middle in series w/neck additional in parallel, middle and neck in...

Howdy stranger! I don't see a problem w SMD opamps - I'm chasing clean and isolated, so how I get there is predicated on ONLY that. I DOES have to live in a bass' control cavity and I do have room built in to mine as they were designed forever ago with SD pre's as standard. I'd prefer to keep...

Perhaps if each hot lead from each pickup is buffered and the buffered signal only goes to a specific coil's tone pot there will be no interactivity. But I wanted to ask the question as this notion has been a serious mind-f!ck. I started down this path passively in a Telecaster harness. I sent...

Hey y'all - I got a bee in my bonnet to do something unusual and thought to hodgepodge boards from here as part of it. The end-goal is an onboard active system for a three pickup bass - the plan is to isolate the signals from each of the pickups and dedicate passive tone pots to each of them...

I SAW that movie (World's Fastest Indian reference). I've heard that - my neighbors may think me mad. Well . . . . mad-ER 🤪

I may . . . . MAY . . . . get lemons for the first time. EVAR

. . . . in black. ;)

Just a FYI https://lovemyswitches.com/dress-nut-for-foot-switches/

San Diego (La Jolla specifically) was particularly vibrant today.

YAY! Thanks!

Thanks so much for the forage material - I have two Life pedal projects to finish before I pursue this so I have time to digest what you've linked to. MUCH appreciated!

Piano designs are EXTREMELY difficult to execute - particularly when dealing with core diameters that are friendliest to guitar and bass tone - but an incredible tonal option. GHS offers this, as does Rotosound. SIT as well if I am not mistaken. I had VERY brief instruction and time with the...

I have a two channel pedal board presently (thank you Boss OC5) and want to run different distortions on each side of it. Doing that independently is simple enough, but I'd like to be able to run multiple distortions on each of the channels - in parallel rather than series - and be able to turn...