CheapSuitG
The TubeSchemer
Bonjour
I’ve been breadboarding some ideas and was wondering if anyone here has experimented with modulating parameters like gain, bias or tone?
If so, how did you approach it? I’m a beginner when it comes to breadboarding, so I’m curious to hear if/how it could be done.
The reason I ask is that I think it would be interesting to that have movement, not in the typical modulation like chorus or phaser but more like how a synth might behave. I’m a big fan of Alessandro Cortini, best known for his work with Nine Inch Nails on synths, bass and guitar, whose solo has some great electronic landscape compositions. Not all bleep bloop stuff. He’ll use something like an EMS Synthi, modulating things to push a sound right to the edge and breaking apart, then pull it back adding depth and dimension to what would otherwise be a boring static sound.
I imagine using this on a fuzz pedal like modulating the bias from sputtering to saturate. Filters are another parameter that’s often modulated in interesting ways.
Granted, very limited use with guitar, but could be right for the right application.
Thanks!
I’ve been breadboarding some ideas and was wondering if anyone here has experimented with modulating parameters like gain, bias or tone?
If so, how did you approach it? I’m a beginner when it comes to breadboarding, so I’m curious to hear if/how it could be done.
The reason I ask is that I think it would be interesting to that have movement, not in the typical modulation like chorus or phaser but more like how a synth might behave. I’m a big fan of Alessandro Cortini, best known for his work with Nine Inch Nails on synths, bass and guitar, whose solo has some great electronic landscape compositions. Not all bleep bloop stuff. He’ll use something like an EMS Synthi, modulating things to push a sound right to the edge and breaking apart, then pull it back adding depth and dimension to what would otherwise be a boring static sound.
I imagine using this on a fuzz pedal like modulating the bias from sputtering to saturate. Filters are another parameter that’s often modulated in interesting ways.
Granted, very limited use with guitar, but could be right for the right application.
Thanks!