Nope.Have you unpacked that scope yet?
Does the op amp at the end sound different compared to the LTP emulation of the original? My favorite part of the circuit is the texture of the saturation with the Pentodes control cranked2N5457, as used in the original circuit. You can just add the mid knob to the original circuit.
Thanks Chuck. I'll build another and set up the mid control as you outlined. I'd also like a bit more from the Pentodes control, and I may delete it completely. Can I change R22 and R23 (voltage divider before V1 input of diff pair)?Not a lot different, but different enough. I think you're better off keeping the BJT output stage.
If you want the MID knob, then disconnect BASS pin 2 from Vref & disconnect C11 from GND. Hook up BASS pin 2 and C11 to a B50K MID pot. Arrange it as either a Fender or Marshall tone stack, your choice. I recommend using TSC and/or a breadboard to verify that the tone stack does what you want. You'll probably need to adjust the value of C11. Make sure that pin 1 of the MID pot goes to Vref and not GND.
100K? That's quite a jump up from 3k3. Can you explain some of the theory behind the functionality of R23?You can try increasing R23, but honestly, I think the circuit already goes about as far as it can go. Try R23 = 100K. If that doesn't get you there, then maybe you should try out the Suburban Decay Maniac.
We've talked about JFETs, the MID control and increasing the gain of the last stage. What else are you contemplating?
If you're not doing all of this on a breadboard, you should be.