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@HamishR That sucks! I never had an original but I also found the first stage way too bright for my amp atleast. Was a shame cause I thought the drive was killer. If I still had it I’d try to tame the brightness and add a switch to turn it off when not in use. The 12at7 actually has a higher...

@Erik S Did you ever find you a baritone? I’ve been thinking about getting one as well.

I’ve never cared for a 12AT7 in a main driver stage such a V1. They’re better suited for phase inverters or maybe a buffer. You could certainly try a 5751 or 12AY7. They’ll both be lower gain and quieter as well as add a slightly wider sweep on you volume or gain control. Personally I would try...

@MichaelW Ok you got me lol. That really does take time! No more excuses from me.

Aaah I didn’t know this was Bajamans LA2A style comp. I’ve thought about posting that in the project wish list thread. That one has been on my radar for the longest. Hey if we are lucky @vigilante398 will release one of his compressor designs to the masses some day. Not that I wish him any bad...

I wish there was a pcb available for this.

Sweet how did I miss then one!? I’ve been intrigued by LPD pedals ever since hearing the JMP 79. Some really convincing sounds coming from his pedals. Maybe we can get a boneyard ppcb for this one? 😎

Anyone have a spare board for this they’d like to sale? This has been on my radar for a while now.

For those of you that use flux what exactly are you using? I’ve been using a Kester pen but the tip is kind of wide and isn’t all that accurate in tight spaces.

Seems an odd choice considering all the cool delays you’ve built. I still think the Keeley Mag Echo has a great mod section which is supposedly lifted from his Seafoam chorus pedal. The delay itself is certainly on the darker side but you can do a lot with minimum delay and the mod section alone.

@dcfvgb If my good friend @MattG cant take care of me I certainly do. If you got the faceplates I’ll certainly give a donation for one.

I didn’t wanna ask you since you just hooked me up with that other board lol. I may have found one though. Some cool dudes around here. 😎

I’ve yet to build a delay but this seems right up my alley. I’m an always on dotted eighth and quarter note with a DMM and Boss DD-200. I would also like to buy a board off someone if you have a spare. With faceplate is preferable but if all you have is the board that’s fine by me! 🤞

I’m not hearing any crackling with mine. I can hear how sometimes the notes may not have as much sustain as they should and kind fade out like some MIAB pedals do. I believe the Carl Martin plexi or lovepedal purple plexi had a similar issue.

I’ve always thought there was a fine line between the electric mistress and the small clone. The delay time doesn’t too far apart and they both have this metallic sounding top end. Suppose that’s to do with a brighter than normal frequency range for this type of pedal? I’ve heard that the Boss...

It’s no @Erik S build but I’m happy with it lol.

Most recent build. One that I’m actually not embarrassed to post lol. Isn’t it great when they work right away! Sounds great as well. Waiting on actual enclosure. Was out of mono jacks so had to use stereo. Will update once enclosure and faceplate comes in.

I miss my old “Anamorph”. I agree the modulation was great. That along with dual MN3005’s it was a thing of beauty.

@szukalski Lol ya think! That would make popping in the foot switch and dc jack a breeze! For example I just built a 3 pot build that isn’t gonna get any use and I’m building another with the same layout I could just unsnap that old project out and desolder the jacks and I’d have a quick and...

Yes they can have too much high end…you really need to spend time with the tone controls and cut control to see how they interact with the gain. For example rolling up the bass and high scoops the mids and at about 2 o’clock on each dial it’s kinda blackface territory with a little high end...