You could put a stomp switch in series with the GAIN control. GAIN has about a 20dB range.
The obvious place to put another Gain control is between C8 & R12. We'll call that new control DRIVE. An A1M pot, with a treble bleed would do the trick. Bump C8 up to 680pF to keep the low-end roll-off the same. Put a resistor between the bottom of DRIVE and ground because there's no point in dialing the DRIVE down to zero. Take a look at the Covert and you'll see what I'm talking about.
A less obvious place to put a DRIVE control would be to make R8 an A1M pot with 22K in series. The big difference is if the DRIVE control is after the 2nd stage (Q2 & Q3), the 2nd stage will saturate easily. With the DRIVE control in place of R8, the 2nd stage won't saturate if GAIN & DRIVE are set below noon. The 3rd stage (D4 & Q5) has a ton of gain and is gonna saturate unless you pull everything, including the guitar volume, way down.
I considered putting the MID and BASS controls in for about 5 sec, but those controls don't do much so I think Catalinbread did the right thing hard-wiring them. One could mess will the values in the Tone Stack, using the Tone Stack Calculator for guidance.
C14 and C15 are WAY bigger than they need to be. They could both be 100nF and it would sound the same.
Have you tried running this on 18V? C17 needs to be rated for at least 25V to do that.