owlexifry
Well-known member
- Build Rating
- 4.00 star(s)
doesn’t seem many have built this one, and of those that have, it seems most have reported less than favourable experiences with it.
well that isn’t the case for me.
i reckon this thing sounds fantastic and does exactly what it’s supposed to.
i’ve read the discussions on a thread regarding the depth / FAC control being a bit whack on the GCI Apostle, similar to this design, with the cap selections positioned in parallel with a fixed cap, instead of in series, as orange OR120 schematics would designate.
this does result in different/perhaps undesirable low end trim behaviour, but i wouldn’t suggest that the result in this particular circuit/PCB is entirely redundant.
it also has different cap values to the GCI Apostle.
FAC/Depth cap values available are:
1n (fixed, in parallel with):
- (nothing)
- 2n2
- 4n7
- 10n
- 22n
- 100n
1n is a bit clanky, but not useless.
1n+2n2 noticeably thickens up.
1n+4n7 slightly thicker.
1n+10n sounds quite nice and balanced.
1n+22n same (not much difference from 10n)
1n+100n is thicc and wooly. burly setting.
the significance of difference in tones does depends on gain/drive settings.
- boost control is an odd one.
it’s like a weird sorta mids / sorta presence boost that goes bonkers at really high settings. it’s cooked, but in a good way.
- gain control works great.
- drive control doesn’t seem to do much until 11/12 o’clock, but does what it needs to from there.
i think this is a wonderful distortion. a win for the mighty MOSFET.
it can be sensible and crunchy, crisp and articulate with a bridge pickup for rock tones if you want it to, and then goes absolutely fat, oversaturated and blown-out for doom tones. the gain+drive controls can set this just right.
tones of gain available.
in this demo i selected the electrovibe to be a boost (vibe mode, intensity on zero).
it’s a mad fat boost in vibe mode. (in chorus mode its a bit more mid focused).
- FAC set to 1n+10n.
weird story time:
i have to report the strangest experience ive ever had with a PCB and i’m still not sure if it was just me being a twit, or a bad PCB:
- when i first started testing, the LED blew out.
- double checked everything, no shorts, had a 22K in the CLR position for a waterclear LED.
- removed the LED, dry fitted another one. same thing, blew out. lol.
- removed the 22K from the CLR position.
guess what:
- from the 1N5817, that feeds the CLR, i was getting continuity to both sides of the CLR. wtf.
so the CLR position on the PCB doing jack shit. or i did something wrong, but i have no idea what or which.
anyway, so i just snuck in a 22K inline with the LED anode and inserted the LED as per normal, and all sorted, operating as normal.
so strange
well that isn’t the case for me.
i reckon this thing sounds fantastic and does exactly what it’s supposed to.

i’ve read the discussions on a thread regarding the depth / FAC control being a bit whack on the GCI Apostle, similar to this design, with the cap selections positioned in parallel with a fixed cap, instead of in series, as orange OR120 schematics would designate.
this does result in different/perhaps undesirable low end trim behaviour, but i wouldn’t suggest that the result in this particular circuit/PCB is entirely redundant.
it also has different cap values to the GCI Apostle.
FAC/Depth cap values available are:
1n (fixed, in parallel with):
- (nothing)
- 2n2
- 4n7
- 10n
- 22n
- 100n
1n is a bit clanky, but not useless.
1n+2n2 noticeably thickens up.
1n+4n7 slightly thicker.
1n+10n sounds quite nice and balanced.
1n+22n same (not much difference from 10n)
1n+100n is thicc and wooly. burly setting.
the significance of difference in tones does depends on gain/drive settings.

- boost control is an odd one.
it’s like a weird sorta mids / sorta presence boost that goes bonkers at really high settings. it’s cooked, but in a good way.
- gain control works great.
- drive control doesn’t seem to do much until 11/12 o’clock, but does what it needs to from there.
i think this is a wonderful distortion. a win for the mighty MOSFET.
it can be sensible and crunchy, crisp and articulate with a bridge pickup for rock tones if you want it to, and then goes absolutely fat, oversaturated and blown-out for doom tones. the gain+drive controls can set this just right.
tones of gain available.
in this demo i selected the electrovibe to be a boost (vibe mode, intensity on zero).
it’s a mad fat boost in vibe mode. (in chorus mode its a bit more mid focused).
- FAC set to 1n+10n.
weird story time:
i have to report the strangest experience ive ever had with a PCB and i’m still not sure if it was just me being a twit, or a bad PCB:
- when i first started testing, the LED blew out.
- double checked everything, no shorts, had a 22K in the CLR position for a waterclear LED.
- removed the LED, dry fitted another one. same thing, blew out. lol.
- removed the 22K from the CLR position.
guess what:
- from the 1N5817, that feeds the CLR, i was getting continuity to both sides of the CLR. wtf.
so the CLR position on the PCB doing jack shit. or i did something wrong, but i have no idea what or which.
anyway, so i just snuck in a 22K inline with the LED anode and inserted the LED as per normal, and all sorted, operating as normal.
so strange

