Finished up a Mahayana / Zen drive

cdwillis

Well-known member
Build Rating
5.00 star(s)
This is a circuit I was curious about for a long time. I wasn't about to pay the exorbitant costs for an old Hermida one and I definitely wasn't about to pay for a Lovepedal one either. I bought this board and a Timmy to compare since they have a slightly similar bass and voice control. The Timmy isn't done yet because I forgot to order 39nf caps. I'll have to scrounge around in one of my random parts containers to see if I have a couple floating around. I did wrap this one up tonight at least.

zen top.jpeg zen bottom.jpeg


I couldn't remember what the original op amp in the Zen drive was supposed to be. I thought they were all sanded over or gooped, but people thought they figured it out. Anyway, I used an LM1458 op amp and it sounds awesome. It's socketed so I might try some other ones later on. I wasn't expecting a whole lot for whatever reason. I think what I'm most impressed with is that the entire sweep of each knob is useable. If you have the voice control set for a thicker sound you can turn the tone control up to sort of even out the tone and vice versa, but it really sounds good in most every position on the dials. Sometimes you build a pedal or buy one and it's only got a couple sweet spots if you're lucky. I started using it with my Les Paul through the clean channel on my Marshall and it was like blues guitar heaven. I switched over to the drive channel and it pushed the front end of the amp into really sweet singing sustain.

I used the stock 500k linear pot for drive and I read that the Lovepedal Black Magic versions used a 1m drive pot for even more dirt. I'm kind of curious what that would sound like since the voice pot interacts with the drive pot. The lower the frequency knee the lower the gain and the higher the frequency knee the more gain. It helps it from sounding overly flubby so the 1m might be too much with the lower frequency knee. If you want a quick low parts count build with some flexible tone shaping I'd recommend it.
 
Such a simple circuit and you hit the nail on the head, it has a million usable tones and SO MUCH flexibility.

the Voice control in particular lets you do so much.

I like your "odd man out" red knob for... isn't that the Filter knob?
 
It's the drive knob. I did that so I'd know at least which one of the top knobs did what. I'm going to bust out the label maker to label everything though. I keep mixing up the voice and the tone knobs when I go to adjust things. I'm thinking an logarithmic pot would be a little better for the drive pot. Since the voice pot interacts with the amount of gain I thought maybe the linear drive pot was put their intentionally instead of a log.
 
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