Hi,
I am planning on building some stereo devices to use both with my synths and when mixing, so I could send some stems from my DAW to get some nice hardware EFX. I have read a lot about how different stereo pedals work, where some are mono-in/stereo-out, some have a splitter before the actual effect, etc. For my personal purposes, I am willing to build an actual stereo-in/stereo-out device, but I have some doubts about how to get on with this project...
I know i will need to build two circuits, one per channel, my questions are more about power and controlling both circuits.
Is it mandatory to use double gang pots in order to control both circuits at the same time? Why would I need those if both circuits need the same resistance at their respective controls? I thought double gang pots were for situations where you needed to raise and lower resistence of two different parameters at the same time. If on the contrary, I can use standard pots, I would just solder the pot's legs to both pcb connections, right?
Regarding power, I have built some double and triple pedals that all shared the same power just by soldering their respective power lugs to the DC conector. This would work in the same manner? The + and - from both PCBs would go to the + and - leg of one single DC connector?
I am thinking about maybe avoiding putting a switch alltogether as this will be used more as studio rack equipment, I am sure this would make things a bit easier as I wont have to solder the true bypass circuit, and will save on switches, LEDs, etc... But any reason for adding a switch? I have read that I would actually need a 4pdt switch, which just seems to overcomplicate everything.
In regards to the actual effects I am thinking about... I was looking into building some modulation (probably a Ceaser or Cepheid Chorus and either a Pitch Witch or a Low Tide Modulator), I have read these should share the same LFO, is this mandatory? I would rather try and deviate as little as possible from the actual PCBs and schematics. I am also looking into building a Hydra Delay, once again, would I need to have any sharing section within the circuits or I can just build two separate circuits and just have them share all the controls, even the switches? And lastly, it would be amazing building some sort of tube or some sort of crunchy saturator, in case I decided to go with something based around tubes, same questions apply: Two independent circuits sharing controls and power? Or I would need to do something specific related with biasing, matching tubes/diodes/transistors, etc... ?
I am not looking into creating a perfect and amazing audio processor, I already have that in the box, but more of a nice and enjoyable manipulator that can add character, playabilty and some noise and crunchiness to my mixes and individual tracks, so not looking for the most pristine and industrially correct way of doing it. Just want to have some fun.
Oh! And finally, about levels... I don't have a reamp box, though I could build a stereo one quite easily from what I have seen, but I have also seen that most of the times, as long as you send low levels into the pedals and then use DI from the pedals back into the interface, nothing wrong should happen. Should I modify anything inside the circuits in order to make them work with line levels in and out? I do have DI for entering my interface, and have used pedals with synths many times and, by just lowering their volume they work as expected, not sure about outputting audio from my DAW though.
So any info, insights, links, or disclaimers are muuuuch appreciated
Thanks in advance
I am planning on building some stereo devices to use both with my synths and when mixing, so I could send some stems from my DAW to get some nice hardware EFX. I have read a lot about how different stereo pedals work, where some are mono-in/stereo-out, some have a splitter before the actual effect, etc. For my personal purposes, I am willing to build an actual stereo-in/stereo-out device, but I have some doubts about how to get on with this project...
I know i will need to build two circuits, one per channel, my questions are more about power and controlling both circuits.
Is it mandatory to use double gang pots in order to control both circuits at the same time? Why would I need those if both circuits need the same resistance at their respective controls? I thought double gang pots were for situations where you needed to raise and lower resistence of two different parameters at the same time. If on the contrary, I can use standard pots, I would just solder the pot's legs to both pcb connections, right?
Regarding power, I have built some double and triple pedals that all shared the same power just by soldering their respective power lugs to the DC conector. This would work in the same manner? The + and - from both PCBs would go to the + and - leg of one single DC connector?
I am thinking about maybe avoiding putting a switch alltogether as this will be used more as studio rack equipment, I am sure this would make things a bit easier as I wont have to solder the true bypass circuit, and will save on switches, LEDs, etc... But any reason for adding a switch? I have read that I would actually need a 4pdt switch, which just seems to overcomplicate everything.
In regards to the actual effects I am thinking about... I was looking into building some modulation (probably a Ceaser or Cepheid Chorus and either a Pitch Witch or a Low Tide Modulator), I have read these should share the same LFO, is this mandatory? I would rather try and deviate as little as possible from the actual PCBs and schematics. I am also looking into building a Hydra Delay, once again, would I need to have any sharing section within the circuits or I can just build two separate circuits and just have them share all the controls, even the switches? And lastly, it would be amazing building some sort of tube or some sort of crunchy saturator, in case I decided to go with something based around tubes, same questions apply: Two independent circuits sharing controls and power? Or I would need to do something specific related with biasing, matching tubes/diodes/transistors, etc... ?
I am not looking into creating a perfect and amazing audio processor, I already have that in the box, but more of a nice and enjoyable manipulator that can add character, playabilty and some noise and crunchiness to my mixes and individual tracks, so not looking for the most pristine and industrially correct way of doing it. Just want to have some fun.
Oh! And finally, about levels... I don't have a reamp box, though I could build a stereo one quite easily from what I have seen, but I have also seen that most of the times, as long as you send low levels into the pedals and then use DI from the pedals back into the interface, nothing wrong should happen. Should I modify anything inside the circuits in order to make them work with line levels in and out? I do have DI for entering my interface, and have used pedals with synths many times and, by just lowering their volume they work as expected, not sure about outputting audio from my DAW though.
So any info, insights, links, or disclaimers are muuuuch appreciated

Thanks in advance