this ... whether it is a kit, a reissue, or a surfybear. I'm not opposed to digital, currently have the rv-6 for that and I wouldn't kick a soft focus out of bed if I could find the right deal on one.
I thought about doing up one of those blue Accutronics boxes into a pedal a very long time ago, before I even knew how to solder.
Thought I was being quite clever.
Well I'm finally at a stage where I can do it, so of course many have already beat me to the punch since I first had the idea...
I found a reverb driver by BJF on MoodySounds website:
BJF Universal Reverb kit driver en extern reverb-tank. Eftersom reverb-tankar kan olika ingångsimpedans, och vår tanke med den här kretsen är att den ska gå att
moodysounds.com
I figured I could sneak the blue box with the BJF-MOODY driver into a pedal — somebody's been-there-done-that:
Also found the Scientific Guitarist's Riptide version, already mentioned in the thread, uses the blue box.
There are options beyond the blue box, check out Accutronics' BMN series spring-units (available with and without case):
Ive never loved any of the diy reverbs. Though i havent tried the spatialist, the fv-1 ones are meh to me. And the belton as well. I do have two amps with true tube spring though and thats what i’m comparing that to. I have a boss rv-200 for the other stuff, and in my experience digital reverbs are better not diy. By the time you build an fv-1 reverb you’re nearly at the cost of used rv-6.
That said i do like the spirit box and hydra, as options if you’re going for some “different” reverb options
But tbh I'm not sure how great it sounds. No guitar in that example, and for digital drums and synths the easiest comparison is the million audio plugins which obviously will sound "nicer".
Yeah, I think that's where I first came across the DIY Plate idea, was Hackaday. Love that site!
The plate at a studio where I briefly held an assistant engineer position was about the size of a billiards table, not the 8-ball bar-room weenie, but a full on snooker table (or bigger, faik).
So, like the tiny-spring verbs, I'm not expecting great cathedral-like plate emulations from a DIY-plate verb, just a different flavour of verb to use in moderation.
I think my friend's dislike of spring-reverbs is mainly because so many people OVERUSE spring and have their verb CRANKED — like putting a whole bottle of catsup on a steak...
+1
I'used TC HOF and the lexicon based Hardwire RV7 for years, then I've found a used Neunaber Immerse Reverberator and I think I could not come back anymore, the quality is impressive remaining very musical, I had the chance to try a blue sky for a while but I largely prefer the Immerse for playability
I don't think any DIY rev could complete, heard some PT2399 and FV1 based pedal and there is simply no competition
I used to use a Strymon Flint on the plate setting and it was pretty good. I usually use it set quite low and I like it. right now I have one of these and really like it:
It was on sale and for the price it's fantastic. The trick is to leave modulation on zero at all times! I have a UA Starlight delay which is one of the best sounding delays I have ever tried.
For a long time all I ever used in the way of time-based effects was a slapback delay, which I still love. But I guess i've got used to having a tiny bit of reverb in the background again. I once built a Fender style stand-alone spring reverb but it never really did anything for me. The guy I sold it to loves it, so go figure. Digital spring delay emulations are generally pretty bad, so I've always gone for the plate style reverbs.
Belton brick reverbs sound awful to me and FV-1 is better but can be noisy.