Chuck D. Bones
Circuit Wizard
This one has been in the queue for a loooooooooong time. I built it pretty much per the schematic I got from Robert. I subbed an MCP6002 for the MCP602, a CA3240 for the LM258, 1SS98 for the BAT48's and a 2N5246 for the 2K208-Y. The Shallow Water manual was helpful in setting the LPG trimmer and getting the most out of the control settings.
A clever circuit and most of it makes sense to me. Here's a quick rundown. Q1 & Q2 for a preamp. The gain a little over 12dB with both DIP switches open (off). From there, the signal goes three directions: to the envelope detector, to the BBD and to the Dry side of the MIX pot. On its way to the BBD, the signal is low-pass filtered by IC4.2. The signal then passes thru the BBD and is filtered again by a variable low-pass (IC3). IC3's cutoff freq is controlled by the envelope detector Q3, D1, D2 & IC4.1. If the signal level falls below a threshold determined by the GATE pot and D1 & D2's Vf, then the LP filter's cutoff freq is lowered to a freq determined by the LPG (low-pass gate) trimmer. Even with the GATE knob turned all the way up, I think the GATE threshold is too high. Closing DIP sw 2 boosts the preamp gain by 6dB, which helps, but is not enough IMO. The output of the LP filter goes to the Wet side of the MIX pot. The MIX pot is followed by the LEVEL pot and then another discrete preamp (Q4 & Q5). The BBD's clocks are generated by the CD4046. It contains a VCO which runs at a few hundred KHz, depending on the control signal coming from the Randomizer. IC2 is a microcontroller which contains a pseudo-random generator which is clocked at a rate determined by the RATE control. The output of IC2 is a high-speed pulse train that when averaged by the SLEW filter (SLEW pot & C16) becomes a random staircase waveform. Depending on the RATE & SLEW settings, the staircase varies from step changes to gradual ramps. The DEPTH pot control how much randomizing signal goes to the clock VCO (IC6). When the clock speed changes, the signal coming out of the BBD will have a variable delay and a variable freq shift.
I don't get why Fairfield adds gain in the first stage and then takes it all away in the BBD's input filter. I also don't understand why Fairfield runs the V3207D & CD4046 on 5V when they work as well or better on 9V. Definitely more headroom in the BBD at 9V. The input and output preamps work perfectly well, but could have been implemented by a dual opamp. There is a significant volume shift when turning the MIX knob from Dry to Wet. Not sure why Fairfield did that.
An interesting pedal, I'm still exploring its many sonic textures.
There is a metric shit-ton of parts in this pedal, as evidenced by my breadboard. 5V reg, randomizer and clock gen at the upper left. Envelope detector at the upper and right. Input amp is at the lower right. BBD is bottom center. Low-pass gate filter to the left of that and the output amplifier is at the lower left corner.
Knobs (L-R): LEVEL - MIX - RATE - SLEW - DEPTH - GATE
A clever circuit and most of it makes sense to me. Here's a quick rundown. Q1 & Q2 for a preamp. The gain a little over 12dB with both DIP switches open (off). From there, the signal goes three directions: to the envelope detector, to the BBD and to the Dry side of the MIX pot. On its way to the BBD, the signal is low-pass filtered by IC4.2. The signal then passes thru the BBD and is filtered again by a variable low-pass (IC3). IC3's cutoff freq is controlled by the envelope detector Q3, D1, D2 & IC4.1. If the signal level falls below a threshold determined by the GATE pot and D1 & D2's Vf, then the LP filter's cutoff freq is lowered to a freq determined by the LPG (low-pass gate) trimmer. Even with the GATE knob turned all the way up, I think the GATE threshold is too high. Closing DIP sw 2 boosts the preamp gain by 6dB, which helps, but is not enough IMO. The output of the LP filter goes to the Wet side of the MIX pot. The MIX pot is followed by the LEVEL pot and then another discrete preamp (Q4 & Q5). The BBD's clocks are generated by the CD4046. It contains a VCO which runs at a few hundred KHz, depending on the control signal coming from the Randomizer. IC2 is a microcontroller which contains a pseudo-random generator which is clocked at a rate determined by the RATE control. The output of IC2 is a high-speed pulse train that when averaged by the SLEW filter (SLEW pot & C16) becomes a random staircase waveform. Depending on the RATE & SLEW settings, the staircase varies from step changes to gradual ramps. The DEPTH pot control how much randomizing signal goes to the clock VCO (IC6). When the clock speed changes, the signal coming out of the BBD will have a variable delay and a variable freq shift.
I don't get why Fairfield adds gain in the first stage and then takes it all away in the BBD's input filter. I also don't understand why Fairfield runs the V3207D & CD4046 on 5V when they work as well or better on 9V. Definitely more headroom in the BBD at 9V. The input and output preamps work perfectly well, but could have been implemented by a dual opamp. There is a significant volume shift when turning the MIX knob from Dry to Wet. Not sure why Fairfield did that.
An interesting pedal, I'm still exploring its many sonic textures.
There is a metric shit-ton of parts in this pedal, as evidenced by my breadboard. 5V reg, randomizer and clock gen at the upper left. Envelope detector at the upper and right. Input amp is at the lower right. BBD is bottom center. Low-pass gate filter to the left of that and the output amplifier is at the lower left corner.
Knobs (L-R): LEVEL - MIX - RATE - SLEW - DEPTH - GATE