Interesting pedal analysis

I came across an interesting youtube channel. Analyzes of different pedals, using software only, no guitar. In addition, quite interesting software, which unfortunately I don't know and can't find any info about it (linux or maybe something written by him?)

Room EQ Wizard is freeware and will do much of that. Arta costs $$$ but goes quite a bit further, similar to SMAART. I’ll do a deeper dive presently and see if I can figure what they‘re using in these vids though.

Edit: found some mentions in various video comment sections that he is a software engineer by trade and originally wrote this for Linux, then ported it to Mac. Apparently it’s primarily meant to develop his commercial pedals. Way cool stuff, I might ping him for more details. I found some other interesting freeware analysis tools along the way too, which I will download and give a try ASAP.
 
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It looks like it’s doing frequency analysis, and not super sophisticated. He probably has a test signal going in, compares to the output and then computes the FFT of both and takes the ratio or something like that. They are interesting videos though!
 
I know REW, Arta and several other programs but this one seems to have the most necessary functionalities without unnecessary bells and whistles. I like the display of separate graphs for individual harmonics.
 
In this episode you can hear the testing sounds. Noise for frequency response and some kind of pulses (sweeps, impulses) for analysis of harmonics.
 
It's a lot of information to take in. Certainly shows more than a simple FFT. It's a tool and in the right hands might do some good things. IMHO, the ear is the best audio spectrum analyzer. Not because it's more precise, but because reveals everything that's important to the listening experience. Think about the attack and decay of a power chord thru a good tube amp. What would that look like on this spectrum analyzer?

For a long time, the HiFi audio industry designed, advertised and sold equipment based on THD measurements and completely failed to measure transient response. The result was that tube equipment, which sounds good to the ear, but does not exhibit super low THD under laboratory conditions was considered inferior. Conversely, solid state equipment that boasted 0.01% THD in the lab often sounded lousy when reproducing music with large dynamics. Eventually the engineers caught on and started designing solid state amplifiers that were up to the task of accurately reproducing the sound of percussion instruments.
 
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