comradehoser
Well-known member
At the request of members, here is the new, improved, and moved from "Build Reports" Top Five Pedal Builds for 2024/2025!!!!!!
The idea remains the same, though.
Name your top 5 pedals to build, and give a reason for each. Can be short, can be long, ranked, unranked, can be top 5 just in the genre that you love--like (barf) compressors--can be any justification at all. But it has to be five. Not 3. Not 7. 5.
To placate those of you who love all of your special children equally, honorable mentions are ... fine. Short and sweet/a good time not a long time is probably the way.
If you published last year, revisit your list and see if anything has changed. I actually built quite a few circuits from other folks' top 5.
And of course, pics, and especially clips/demos are encouraged. Who doesn't love those? I sure do.
I can go first.
My list from last year was:
Deofol/Okko Diablo
Thorpy Heavy Water/Fallout Cloud
Hydra Delay
EQD Afterneath/Deflector Reverb
Acorn ADHD/Nutty Fuzz
This year, I will have to say...
Corroder/HAO Rust Overdive--a deceptive little MIAB with so very few parts and controls. Can get chonky, can be gritty, can go almost clean--all from your guitar volume control. My PTP version was maybe my favorite PTP yet, too. I don't know if it's particularly a pure reproduction of a Marshall, or if it's anything special, or if it plays super well with other pedals, but I don't care, it sounds good and I reach for it often because it's fun to mess with.
Trembling Loon/4ms Tremulus Lune--I don't always or often play tremolo, but this is also a pretty uncomplicated build with impressive flexibility and I admire it and enjoy myself every time I kick it on.
Deflector/EQD Afterneath--The sole survivor! I built a couple of extra reverbs based on the fives lists, but this is still so great to get into, plays well with others, and lends itself to a lot of creativity without menu diving. And I hate the sound of Belton self-oscillation. I built one for a friend, and he used it on his band's next big record SO THERE
Moonn Dromtydning/DBA Echo Dream-- A very close call against the awesome tape delay controls of the Hydra; it's not a delay if you want orthodox delay for orthodox delay stuff like filling out your solos or something, but I LOVE THIS DAMN HERETIC PEDAL TOO MUCH. It is weird and modulated, the delay is grungy and the fuzz is like the degenerating echo of a pre Dolby movie soundtrack. Solder the fuzz kill footswitch leads to the Effect Depth pot lugs 1 and 3 and then it's even a more enjoyable pedal as you now can keep the delay straight joe, or kick on the Barbarella 60s sci-fi delirium.
Mannnn, that last slot already....
The 3-channel mixer. Yup. It's not a bunch of fooferaw 3-pedal 12 gain stages with a shrubbery of clipping toggles and a verb in there, it's a solid, impressive and uncomplicated little utility pedal with its sibling the 3-channel splitter, and its cousin the 4-tap power supply. It just makes it so easy to share an amp so I can play guitar with my daughter in the living room. And that is what it's all about.
************
(Honorable mentions if you just can't do 5):
The Effects Layout Grizzled Grime: It's just THAT tone that I've been searching for in bass fuzz and distortion. This is it. Nasty, snarly, unmanicured, razor-blade-having, bad attitude bass efferupper. Good times.
Ionosphere/Ionostrofear: It's a fuzzer's fuzzery. From overdrivey rawk tastes early in the rotation to clouds and yet more clouds of crushing yet musical sonic collapse. Feel like it gets slept on, but it's a great circuit for doom metal and all lovers of the low and the slow. Still love my Pyrocumulus, though.
GCI N.E.W. Apostle: even though I keep having issues with this pedal, including one epic troubleshooting/discovery thread here (heyo stickman and zanshin!), it just keeps sounding better. Orange/Matamp 120-like ampy fun times for days and daze.
So, how about you?
The idea remains the same, though.
Name your top 5 pedals to build, and give a reason for each. Can be short, can be long, ranked, unranked, can be top 5 just in the genre that you love--like (barf) compressors--can be any justification at all. But it has to be five. Not 3. Not 7. 5.
To placate those of you who love all of your special children equally, honorable mentions are ... fine. Short and sweet/a good time not a long time is probably the way.
If you published last year, revisit your list and see if anything has changed. I actually built quite a few circuits from other folks' top 5.
And of course, pics, and especially clips/demos are encouraged. Who doesn't love those? I sure do.
I can go first.
My list from last year was:
Deofol/Okko Diablo
Thorpy Heavy Water/Fallout Cloud
Hydra Delay
EQD Afterneath/Deflector Reverb
Acorn ADHD/Nutty Fuzz
This year, I will have to say...
Corroder/HAO Rust Overdive--a deceptive little MIAB with so very few parts and controls. Can get chonky, can be gritty, can go almost clean--all from your guitar volume control. My PTP version was maybe my favorite PTP yet, too. I don't know if it's particularly a pure reproduction of a Marshall, or if it's anything special, or if it plays super well with other pedals, but I don't care, it sounds good and I reach for it often because it's fun to mess with.
Trembling Loon/4ms Tremulus Lune--I don't always or often play tremolo, but this is also a pretty uncomplicated build with impressive flexibility and I admire it and enjoy myself every time I kick it on.
Deflector/EQD Afterneath--The sole survivor! I built a couple of extra reverbs based on the fives lists, but this is still so great to get into, plays well with others, and lends itself to a lot of creativity without menu diving. And I hate the sound of Belton self-oscillation. I built one for a friend, and he used it on his band's next big record SO THERE
Moonn Dromtydning/DBA Echo Dream-- A very close call against the awesome tape delay controls of the Hydra; it's not a delay if you want orthodox delay for orthodox delay stuff like filling out your solos or something, but I LOVE THIS DAMN HERETIC PEDAL TOO MUCH. It is weird and modulated, the delay is grungy and the fuzz is like the degenerating echo of a pre Dolby movie soundtrack. Solder the fuzz kill footswitch leads to the Effect Depth pot lugs 1 and 3 and then it's even a more enjoyable pedal as you now can keep the delay straight joe, or kick on the Barbarella 60s sci-fi delirium.
Mannnn, that last slot already....
The 3-channel mixer. Yup. It's not a bunch of fooferaw 3-pedal 12 gain stages with a shrubbery of clipping toggles and a verb in there, it's a solid, impressive and uncomplicated little utility pedal with its sibling the 3-channel splitter, and its cousin the 4-tap power supply. It just makes it so easy to share an amp so I can play guitar with my daughter in the living room. And that is what it's all about.
************
(Honorable mentions if you just can't do 5):
The Effects Layout Grizzled Grime: It's just THAT tone that I've been searching for in bass fuzz and distortion. This is it. Nasty, snarly, unmanicured, razor-blade-having, bad attitude bass efferupper. Good times.
Ionosphere/Ionostrofear: It's a fuzzer's fuzzery. From overdrivey rawk tastes early in the rotation to clouds and yet more clouds of crushing yet musical sonic collapse. Feel like it gets slept on, but it's a great circuit for doom metal and all lovers of the low and the slow. Still love my Pyrocumulus, though.
GCI N.E.W. Apostle: even though I keep having issues with this pedal, including one epic troubleshooting/discovery thread here (heyo stickman and zanshin!), it just keeps sounding better. Orange/Matamp 120-like ampy fun times for days and daze.
So, how about you?