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From Mr positive.

I use Stannol. German made. Wonderful stuff.

Hey Chuck, with this pedal do you notice a filtering when you turn the volume knob down? I've got a pedal that ends in a big muff style tonestack then out through a volume pot, just like you have except I opted for a 4.7n to gnd a while ago. But when I roll the volume back the bass dries up and...

With c13 going to ground there, that's forming a low pass filter with vr2 right?

Fuzzboy demo Today's experiments with cab recording. That's a link up there.

https://www.diyaudio.com/forums/tubes-valves/4386-22uf-cap-25uf-coupling-cap-ok.html Sounds like you'll be fine. 22uf is well within published tolerances of 25uf.

"The manual states that the middle setting is 3 o'clock for bass and 12 for the presence." Which might help you out? Start there then see what's going on. After watching a demo, it doesn't sound like the tone control does a whole lot but it's youtube so who knows. From glancing at the...

Yeah man I like that mids schematic. If it works well that's pretty cool. I'd be tempted to limit its reach to under 3k but that's just me. Or split it into 2 pots: one for lower mids, one for upper. Throat and teeth.

The character control, that would be a blend between the 2 caps? Like the Timmy's bass pot. That's a very minimal mid control too. I'm guessing that's working as a high pass filter going between 340hz and 3.4khz? Or band filter is probably more accurate. Love your work, mr bones.

Chances are it'll be fine.

True dat. Nah the volume is the easiest part. This wasn't meant to be an IR vs mic'd amp debate, I was looking for a simpler solution to recording pedals but alas simple doesn't equal better in this response. Like you said, pointing a 57 at a 4x12 is just a great way of capturing guitar...

This reflects my findings also.

Diffused is just using a scuffed housing to make the light less direct, it doesn't change the operation of the actual diode. I use 3mm red LEDs for the most part, sometimes in parallel with a 3mm green for some asymmetrical action.

It depends on the objective surely. If I want a tone that's ready to record with minimal work from me then yep, an ir can be great. Plug in, load up the amp sim with an ownhammer v30 4x12 and you're away. But if you need something to replicate the sounds of a pedal, and the feel of an amp, then...

Even easier that the eqd circuit is the ehx LBP1 which is literally the textbook example of common emitter amplifier. 7 things and it'll boost the hell out of whatever's in front of it. http://beavisaudio.com/schematics/Images/Electro-Harmonix-LPB-1-Booster-Schematic.png You don't need r1...

That's my first port of call. 150hz and 10khz. Removes rumble and hiss, then adjust from there... For guitar tones at least. After much dicking around there's no substitute for micing a cab in either sound or feel, so we're back at square one. Which is fine.

Yeah I'm trying to remove the amp from the whole process but it's looking like the most feasible option.

That's coming out of the amp right? Then into the interface?

The problem I now have is an obscene low end and general boominess in the sound, whatever ir loader and responses used there's an ever present boom that overwhelms. This means a lack of high end information so tone knobs don't do a whole lot, or at least don't showcase the full range. I get...

https://www.taydaelectronics.com/3pdt-stomp-foot-pedal-switch.html