Confessions of a serial tinkerer.....(Strat content) - Demo Added

MichaelW

Well-known member
Well, if you've been following all of my Strat-o-tomfoolery threads and having been keeping up then you're doing better than me....I'm getting sooooo confused that I wasn't sure where to put this thread..... :ROFLMAO:

This guitar started out as this.....
Then I wasn't happy with either the body or the neck so I it morphed into this.... MJT nitro Candy Apple Red body and a new neck.
Then in my toanz chasing I redid the pickups and wound up with this set.

I was getting really close to what I wanted to hear out of this Strat but something still wasn't quite there.

So I've mentioned that I'm a big fan of Jeff Senn, although I'll never own one of his guitars, I'm always gleaning whatever tidbits I can find about how he builds.

One of the things he mentions in his video with Tom Bukovac about how he built Tom's strat was the use of a lightweight swamp ash body paired with the custom Lollar pickup set to get the end result of Tom's "Fat Strat". So essentially I've copied what he did on Tom's strat to see if that was what I wanted in my own "Fat Strat" project.

So I've been keeping an eye out for another lighter weight swamp ash body. Well, it didn't take long for me to find one at Bloomdoom Guitars.
I got my Firemist Gold strat body from Dustin and have been extremely happy with it.

He had listed a solid swamp ash body in a blonde/Mary Kaye finish that clocked in a 3lb 5 oz!

Now I'm not a "lighter is always better" kind of guy, It depends on the wood, the pickups, and the desired end result but in my incessant tinkering I decided to take one more swipe at my "Fat Strat" project and try the lighter body.

All I can say is WOW. What a difference! I basically migrated everything from the Red Strat over to the new body, same pickups, same trem, I just moved the loaded pickguard over and moved the neck over. But it sounds like a completely different guitar.

I put it all together this morning and have not been able to stop playing it. Every once in a while, all the stars align and between the woods, the pickups, the setup, the neck profile, and whatever intangibles that I haven't quite figured out, you wind up with a very special instrument. This might be my ultimate vintage style strat. It's got the "fatness" I've been looking for yet also the chime, bell like tone and piano like bass of a mid 60's strat. The body is extremely lively and contributes to the sound. There are some folks that claim the woods make no difference to the tone and it's all in the pickups. I call total B.S. (yes, I'm talking to you Mr. Paul Reed Smith).

I've been blessed with a couple of guitars that I just can't seem to put down. My new SG that pretty much came out of the box that way.
And this strat that took a rather long and circuitous route to get to its final (and I do mean final, I don't think there's anything I can do to improve this) configuration.
Double satisfaction that it was one of my own builds!

So stay tuned, coming to a demo near you at some point:)

Here's the body.
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Just mocking up some pickguard colors here.
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I ended up going with a mint green guard since it was already on the Red strat.
I was chatting with szukalski about this and I think we both agreed that the Mary Kaye White kinda begs for a maple fingerboard but I really wanted rosewood for this project. I was afraid it might look a bit out of place but I think it wound up looking ok.

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This is by far the lightest strat I've ever picked up. I don't have an accurate scale but it's got to be either at or under 7 lbs.
It's probably a full pound lighter than in it's Candy Apple Red configuration.

It's also my only Swamp Ash strat. All my other Strats are Alder and Swamp Ash has it's own unique tone (in my MOST HUMBLE opinion...:ROFLMAO:)

So I'm working on another neck at the moment and waiting for a backordered trem to show up but I'll be building out the Candy Apple Red strat again once I have all the parts. Not exactly sure what pickups to put in it yet but it might be a straight up 60's strat. I may try some Wolfetone Strat pickups, which I have not tried yet. Stay tuned for that one.
 
There are some folks that claim the woods make no difference to the tone and it's all in the pickups. I call total B.S. (yes, I'm talking to you Mr. Paul Reed Smith).

But Paul's a huge advocate for everything making a difference including the wood?:unsure:

It looks fantastic BTW. I really like the mint guard and the rosewood board with the Mary Kaye finish. I love seeing swamp ash grain.

Ooh an anodised gold scratchplate would look mighty fine on there too.
 
I don't understand folks who say the wood makes no difference. OF COURSE IT DOES!! Swamp ash with a RW board neck is not necessarily the most common combo but it can sound killer. For a long time I had a CS Strat which looked a lot like yours and it was a very good Strat. The Strat I have now is similar - I think it's alder though. Olympic white, lam RW board. Best sounding Strat I've ever had, which is a lot.

I prefer lighter guitars. But with Strats and Teles there is such a thing as too light IMO. 6lbs is too light for a solid but it works for plenty of players. I have a Thinline ash body Tele which must be around 6lbs and that's a great guitar but it's had chunks routed out of it.

Michael that Strat looks amazing. Have you ever thought of using staggered tuners and no string tree? My current Strat is set up like that from the factory and I get no buzzing and it stays in tune remarkably well.
 
I don't understand folks who say the wood makes no difference. OF COURSE IT DOES!! Swamp ash with a RW board neck is not necessarily the most common combo but it can sound killer. For a long time I had a CS Strat which looked a lot like yours and it was a very good Strat. The Strat I have now is similar - I think it's alder though. Olympic white, lam RW board. Best sounding Strat I've ever had, which is a lot.

I prefer lighter guitars. But with Strats and Teles there is such a thing as too light IMO. 6lbs is too light for a solid but it works for plenty of players. I have a Thinline ash body Tele which must be around 6lbs and that's a great guitar but it's had chunks routed out of it.

Michael that Strat looks amazing. Have you ever thought of using staggered tuners and no string tree? My current Strat is set up like that from the factory and I get no buzzing and it stays in tune remarkably well.
Yah, I've done the staggered tuner thing and don't like them. There's just not enough break angle on a F style headstock for me. I prefer string trees and plain old vintage style tuners.
 
Yah, I've done the staggered tuner thing and don't like them. There's just not enough break angle on a F style headstock for me. I prefer string trees and plain old vintage style tuners.

Just one string tree though. Two just looks weird. Big +1 on the split post tuners they're my favourite type of tuner.
 
well, I was up at 4 am congested with a raging headache. So I decided to get up and have a cup of tea.
Started playing the Strat half asleep and fell into the "zone" for about 45 minutes coaxing some really nice Jeff Beck "Goodbye Porkpie Hat" tones out of this with just a very light overdrive from my Paragon Side A and the volume knob. Ugh, this is the most amazing guitar.

I wish I could figure out what the formula is between a great guitar and a FREAKING AMAZING guitar. even eliminating all the variables as much as possible, it's still a crap shoot.

I'm very glad for this happy convergence of goodness (in other words happy accident:)) but I'm so glad I don't do this for a living.
Despite all my tricks up the sleeve, I still sometimes feel like I have no clue wtf I'm doing heh.
 
I think the difference between a great guitar and a freaking amazing guitar also has to do with your mood. The guitar will be what you want it to be.
 
Yep. If you're in a foul mood and want LP with hot humbuckers, the most freq'n amazerball Strat just isn't gonna "do it" for you.


I love light guitars/basses/bikes/bicycles/cars/etc.
 
Every one of my guitars has an unplugged tone that carries over when amplified. Especially my Teisco type guitar. Nothing sounds like that thing. It's the plywood body, weird vibrato and OG Gold foils.
 
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