Help identifying coupling caps

megatrav

Well-known member
I have 2 Citrus Press (JHS Pulp n Peel) boards from Effects Layouts.
I am going to build one as stock but I would like to build the other as a the “Lime Aid” version.

Josh Scott mentioned on a Facebook post that the only difference is the coupling caps.

I know that increasing the value will allow more bass through.

So, I need some help identifying which are the coupling caps

IMG_4964.jpeg
 
C1, C4 and a maybe C2
Increasing would let more bass pass
Decreasing C7 and C9 would restrict the bass.
Not sure what the Lime Aid is, more/less bass
You'll want to do the math on any filters these caps are part of as well.
 
You could tweak the filter in the feedback loop of IC1B as well as I don't think it's doing anything.
 
You could tweak the filter in the feedback loop of IC1B as well as I don't think it's doing anything.
Isn’t that network necessary for the compressor to work properly? I’m not familiar with compression circuits.
 
What's the audible difference between the two JHS pedals?
We just don't know the objective...
I haven’t played the Lime Aid but in my experience, the PulpnN Peel cut off is around 80-100hz
I’d like to get it lower for sure
 
With the stock values on the clean path, virtually nothing is being filtered. Adding more bass signal to the comp path would most likely negatively affect the performance of the comp (i.e., lower frequency guitar signals can have a higher amplitude, causing an imbalance in the detection circuit).

I’m inclined to think this is a hacky approach wherein a different topology would be better suited. I’ve found VCA comps to handle low tunings/bass much better than optical or JFET comps—the latter typically relying on clean blend to retain low end attack without overwhelming the frequency balance.
 
Back
Top