farwest1
Member
My eighth build, the fifth from PedalPCB. Sounds amazing. Here's a sample. I changed the name to the Halogen Wolf Decay Delay. Part of the fun for me in building pedals is naming and creating graphics.
The build went smoothly. I made a few small mods to the pedal. I added the Gain trimmer as a B100K pot to the face of the pedal, which was a good move. (I'm not a huge fan of internal trimmers. I'd rather just have all the variables on the face and easily adjustable.)
I also swapped out the A100K Feedback pot for a B100K, which gives it a nicer ramp. The logarithmic pot tended to not give enough audible repeats until well after 12 o'clock. The only issue with the linear B100K is that it goes into self-oscillation well before the knob is maxed out, so I have to be really careful not to overdo it or I'll blow speakers and eardrums. I messed up the LED for the LFO by accidentally filling it with solder and then not being able to remove it. So I think I fried the pad—the LED doesn't work.
Also (my one complaint with the pedal) the "wet" level never achieves unity with the "dry" level. I do wish there were an easy wet/dry pot mod for this. Maybe someone could let me know if it's possible. It would improve the pedal a lot I think.
For the enclosure, I used a white waterslide in order to get white graphics on a black background. It's a pretty clunky process, never as smooth as I'd like. I then sprayed it with hologram glitter paint. Looks great in person. It sparkles in the light. The white knobs are the modulation elements, the black are delay elements.
The name comes from a weird little cyberpunk story by William Gibson called "Academy Leader". I remembered it from an anthology I owned back in the 1990s:
"in the hour of the halogen wolves, in radio silence."
Seemed appropriate for a decaying, warbling delay.
The build went smoothly. I made a few small mods to the pedal. I added the Gain trimmer as a B100K pot to the face of the pedal, which was a good move. (I'm not a huge fan of internal trimmers. I'd rather just have all the variables on the face and easily adjustable.)
I also swapped out the A100K Feedback pot for a B100K, which gives it a nicer ramp. The logarithmic pot tended to not give enough audible repeats until well after 12 o'clock. The only issue with the linear B100K is that it goes into self-oscillation well before the knob is maxed out, so I have to be really careful not to overdo it or I'll blow speakers and eardrums. I messed up the LED for the LFO by accidentally filling it with solder and then not being able to remove it. So I think I fried the pad—the LED doesn't work.
Also (my one complaint with the pedal) the "wet" level never achieves unity with the "dry" level. I do wish there were an easy wet/dry pot mod for this. Maybe someone could let me know if it's possible. It would improve the pedal a lot I think.
For the enclosure, I used a white waterslide in order to get white graphics on a black background. It's a pretty clunky process, never as smooth as I'd like. I then sprayed it with hologram glitter paint. Looks great in person. It sparkles in the light. The white knobs are the modulation elements, the black are delay elements.
The name comes from a weird little cyberpunk story by William Gibson called "Academy Leader". I remembered it from an anthology I owned back in the 1990s:
"in the hour of the halogen wolves, in radio silence."
Seemed appropriate for a decaying, warbling delay.