DEMO [Vero] Big Muff V2 Rams Head (1973 #4)

This post contains an audio or video demo

owlexifry

Well-known member
so far my big muff journey has been rewarding, so i thought i’d build another variant, but i also just wanted an excuse to do something cool with my minty green 100n caps on a vero build.
for the benefit of less noise, i probably should have done it in a 125B instead of 1590B, but it's hard to resist squeezing things into a 1590B

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after breadboarding a few different variants including EQD hizumitas, and some V2 73 variants, i settled on the ‘#4’ version.
when i first finished building it, i was getting paranoid about noise issues since the wiring gets so close to input /output jacks. not that it was any louder idle noise than my other BM builds, but it was bugging me so i decided to replace the input / output leads with shielded wire. idk if it did anything but i feel like it’s a lot less likely to oscillate now.

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- BC549C transistors
- probably around ~500-550hFe, i can't remember exactly what they were.

i was almost gonna build the hizumitas, but this one seemed to have more than enough low end/thickness for my taste, and i like bass heavy muffs, but the hizumitas was just way too much.
the kit rae schematic archive describes this version as having "perfect balance of lows, highs, medium gain distortion, and a mid range that was not overly scooped." - and i guess that's about right. idk. it sounds pretty mean and thick to me so im happy.

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another problem I had, was that I'm an idiot and originally built it with all 100K log pots instead of linear.
i thought it wouldn't matter, and for the the gain and volume, it doesn't really, but the tone control behaviour was awful and only sounds good at like 2-3o'clock where the range is all warped cos log.
so i had to take that out and replace it with a linear.
as a result, the wiring has gotten a bit mangled and bent and isn't as nice as i would have liked.

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the fun part of the build story, is that this pedal is actually getting used on my board.
- for context, metal producers like Will Putney have been known to use a Swollen Pickle mkII to boost a high gain amp, usually after an 808-based overdrive, and I explored this when I built a swollen pickle clone about 3 years ago (its a rough build).
so since then i've always sort of assumed if a swollen pickle can do it, then I'm sure there's big muff variants out there that can do it well too, and in my opinion this one does, and probably better than any other muff variant i've done so far.

so it's been getting action on my board with my band to make very specific riffs (slow chugging breakdowns) sound huge (with an ST-9 overdrive), cos that's basically what it does.

it also dooms really well. as every muff should.
demo: (LP in drop G)
 
i wasn't sure whether to post this in the What's Really Good thread, or the Share Your Music thread, but I feel like this build report deserves an update for something I never expected to happen with this build..

at the start of this year I started tracking x3 new songs for a band.
amidst various delays and bs, it finally got finished off in May.

this time was different - we were working with a completely different producer in a way cooler studio.

the best and most exciting part, was that this producer was inclined that we would be reamping for guitar tones! holy shit o_O
(for me this was a completely new thing i'd never done before in a professional environment, previously it'd always been modelling plugins - sigh, Neural DSP)

so reamp day came and I turned up with amps, cabinet, and a bag full of pedals.
after some hours of doing runs and getting the base tones with different heads, drive pedals, cabinets, selecting the best speaker, mic position etc. - the time came for capturing the filthy/slam tones / quad tracks for the slow heavy parts (breakdowns)....
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at first we tried out the industry standard go-to that every beatdown/deathcore knob is using these days:
- the swollen pickle mkII.
and it just didn't quite give us what we wanted. gosh that mids / tone control interaction is a PITA to dial in.

so then we tried this red HM-2 thing with bells (Abominable Electronics Throne Torcher)
- it was cool, but still not quite there.

so then I pulled out this blue Big Muff 73 #4 build.
- turned out to be a great fit. nice.
- did a reamp run through, and applied it to all the relevant tracks
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- for the sake of gathering options, we also tried out the Hoof side of a War Scythe build (seen on the left hand side in the dark there)
- this one also worked very well.
so did a run and captured it for the same tracks as was done with the 73 big muff.

IIRC, producer was more inclined on the blue big muff, so im pretty sure that's what ended up filling up the heavy parts of these new songs.

a couple weeks ago, one of the songs was released 🥳
probably not anyone's cup of tea, but for the one person that might give a shit, here it is
 
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