I used to enjoy music where the players obviously knew a lot about music, technique, scales, all that stuff, and liked to show that they knew it. But the older I get the more I get bored with all that. To me it's not that different from any geeks who know a particular jargon and insist on using it to the exclusion of those who don't know the jargon. It just gets tedious. It has its place and sometimes it can be impressive but you have to be very careful it doesn't become showing off. When it all comes together in a natural, affecting way then it's great, but too often it's just boring unless you're in on the joke. A lot of "prog" is impenetrable to me! Same with Jazz. Sometimes brilliant and affecting, often just dense and purely for the clique.
I can relate to Surfer Rosa though. I LOVE Bossanova and Doolittle. Technically accomplished but more importantly full of intense emotion and incredible moving at times, while retaining a keen sense of humour. For me there is not a dud song on any of those albums - they're all brilliant little gems. My wife and I flew 3500km to Melbourne a few years ago just to see the Pixies because they weren't venturing west that tour. As I sat soaking it all up they played one of these gems after another - it was such a visceral experience. They'd finish one incredible song and follow it with something even better.
BRMC are another band who don't dazzle with technique but they have full control over what they are doing and manage to reach inside and move you. Take Them On, On Your Own is what the Jesus and Mary Chain wished they were - melodic, powerful and evocative. And Specter At The Feast is an album to sit back and absorb with a drink with the lights down! Beautiful. Unpretentious, no lyrics about goblins and incredibly moving. Amazing live, too.
While I'm working I like to listen to Billie Holiday, early Cure, Black Keys and the first Pretenders album. And of course the Beatles. Seeing Get Back gave me a new appreciation of the album, especially the de-Spectorised version.