falco_femoralis
Well-known member
My hang up with wah pedals is I can't stand the Cry Baby enclosure. The Hotone enclosure is way better
The empty shells I have come across are a pain in the ass to assemble and usually come with mismatched or missing parts. You are better off buying a cheap wah or volume pedal and gutting it.Does anyone/where sell empty wah shells? There are a few projects I've been looking at.
Does anyone/where sell empty wah shells? There are a few projects I've been looking at.
The empty shells I have come across are a pain in the ass to assemble and usually come with mismatched or missing parts. You are better off buying a cheap wah or volume pedal and gutting it.
I’m derailing this thread slightly, but this fits loosely on the topic. Is @Stickman393 or anyone else familiar with Morley wahs? I have VAI-2 with big board and through hole components, but it sucks tone and volume. My dirt pedals and amp doesn’t like it all and boosting is needed after the wah. Is modding in/out buffering component values the best way to make it suck less?
I’m derailing this thread slightly, but this fits loosely on the topic. Is @Stickman393 or anyone else familiar with Morley wahs? I have VAI-2 with big board and through hole components, but it sucks tone and volume. My dirt pedals and amp doesn’t like it all and boosting is needed after the wah. Is modding in/out buffering component values the best way to make it suck less?
My use would consider using wah after dirt and before delay to give some modulation to repetitive stoner/sludge/doom riffs in same way resonance filter is slowly sweeped with electronic compositions to control overtones making up (microish-like) tonality. Or that is how I imagine what I want to do.For the record, a few years ago I bought a Dunlop mini-wah. Played it for a hour, got it well and truly out of my system and it has never been plugged in again. The concept of wah might be fine - it should be able to be used in an intelligent and musical way. But the way I hear it used most of the time is simply to add an ugly noise to a guitar solo. It rarely actually adds to the music. Most of the time I feel that solo would have sounded better without the wah. If you enjoy wah, have at it! No judgement on my part. Well, maybe a bit. Ok a lot. Just because you have a wah doesn't mean you have to use it.
I quite like the way that the Beatles and Mick Ronson would use a wah. They would set it where they felt it sounded good and leave it there. Perversely I DO quite like a cocked-wah sound. But generally I think a wah is a difficult pedal to use well.
I always think I'm a wah guy but I am not a wah guy.