Scientific measurements of clipping diode differences

Fama

Well-known member
I've been wondering about a way to test and/or measure what different diodes sound like, and more accurately if they indeed sound different when used for clipping.

To elaborate, I know the biggest difference between different diodes we use for clipping is the forward voltage. To simplify things, lower value means more clipping at a similar signal level. However, that doesn't technically make them sound different, right? If you manipulate the signal level so that the clipping happens at a similar level in proportion to the actual waveform, it should sound the same, just quieter/louder. But that model for how a diode works isn't quite how it works in real life.

Looking at actual measurements of diodes (thanks to the excellent database by thomasbe86 here https://thomasbe86.github.io/plotly-plot/Diodes_Avg_Plotly.html), it looks like the "no conducting until forward voltage is hit, then dumping everything straight to ground" for hard clipping is not quite accurate. But rather there is a gradual increase before it starts flowing freely - this is the part I'm less sure about, so please correct me if I got something wrong here!

As far as I understand the full view is somewhat misleading in that usually the current is much lower in guitar pedals than what the measurement was done at, but you can zoom in - the results might be inaccurate though, since it's not what the tool was intended to measure.

However, all that matters is that it's not quite as simple as "no conducting and then fully conducting". The important question is, does that make an actual difference in the sound of a pedal that a human can hear?

The naive answer would be "just try out different diodes, they obviously sound different", but that ignores the forward voltage difference which absolutely makes a difference. So my question is, how would you measure and/or test it so you can account for the forward voltage difference? And secondarily, is it worthwhile to even test it, or is it just irrelevant nitpicking? You can often read advice like "it doesn't really matter what kind of diode it is", but then you often run into "my five dollar germanium diodes sound warmer/creamy/whatever" or "LED's sound more open". A lot of that is due to the different VF I believe, but is it all that?

The first idea I had is using an interface to feed a signal to a circuit which only has clipping diodes going to ground and nothing else, and then returning back to the interface. Then you could digitally match the level of the signal going to the circuit so that the resulting signal is at a similar enough level to account for the VF difference. But I'm not sure if that would really tell you anything.

There's also leakage in germanium diodes, and I don't know how that affects things - does it effectively just lower the whole signal by leaking a certain amount to ground all of the time, or is it also more complicated? And if it is, does that make a perceivable difference or not?

Tl;dr: How would you test how different diodes sound when used for clipping outside of VF difference?
 
And to clarify on "scientific measurements", I'd accept anything better than "just switch them out, change the gain by ear and listen to differences" since that is very easy to get wrong in either direction - any kinds of measurements might work (but what to measure?), maybe null tests? Or even a blinded sound test might work.
 
The only way to test how something sounds is to listen to it.
The "knee" (extent of the transition region) of the diode will give you a rough indication about how "hard" it clips. There's hardly any point in running a signal and measuring the response because the I/V graph IS the transfer function in a simple diode clipper. You can set which part of the graph is in use by controlling the current through the diodes. And like you said, the signal can be scaled with respect to forward voltage to make that aspect virtually irrelevant.
Parasitic capacitance can also be a factor (that the I/V graphs don't show), though it's often swamped by an actual cap intentionally added across the diodes.
That being said, people tend to focus too much on this kind of minutia. The overall topology, with pre- and post-clipping filtering in particular will have a much bigger impact on the sound than the choice of diodes. Case in point, a DOD/Digitech Death Metal uses the same diodes as a Tube Screamer but I don't think anyone would argue they sound similar.
 
The only way to test how something sounds is to listen to it.
The "knee" (extent of the transition region) of the diode will give you a rough indication about how "hard" it clips. There's hardly any point in running a signal and measuring the response because the I/V graph IS the transfer function in a simple diode clipper. You can set which part of the graph is in use by controlling the current through the diodes. And like you said, the signal can be scaled with respect to forward voltage to make that aspect virtually irrelevant.
Parasitic capacitance can also be a factor (that the I/V graphs don't show), though it's often swamped by an actual cap intentionally added across the diodes.
That being said, people tend to focus too much on this kind of minutia. The overall topology, with pre- and post-clipping filtering in particular will have a much bigger impact on the sound than the choice of diodes. Case in point, a DOD/Digitech Death Metal uses the same diodes as a Tube Screamer but I don't think anyone would argue they sound similar.
Fair point, I guess by measuring I was thinking along the lines of calibrating the signal based on peak volume in a DAW, and checking whether the two signals have a different spectral balance, or if the different knee characteristics cause a compression-like effect outside of the actual hard clipping point, which should be visible in waveforms.

Of course whether you can hear it can only be listened to, even if there's technically some small differences - like from the capacitance you mentioned.

I guess why I am interested in this in the first place is because while I don't really think there's that much difference between diodes (apart from VF, obviously), I don't know that for sure. That means I don't really want to correct other people about it because I'm not 100% sure about it myself. I'm also pretty curious and enjoy all kinds of debunking content, so getting at least somewhat credible proof (I don't think anything I would do myself would be considered actually rigorous) would clear it up for me.

Obviously the topology and circuit make a much bigger impact than diodes, but we also see a lot of "I use X type of resistors or capacitors because they sound better" type stuff, all the way to the insane ("we designed the knobs on our pedals specifically so they don't interfere with the sound"), and diodes is one where it's pretty commonly accepted that LED's sound more open, for example, and I don't think it's completely accepted even among the less woo-affected builders (like people on this forum) that it's really just down to VF differences.
 
Start with 2 pairs of matched diodes in the hard clipping position of the circuit of your choosing. Record a passage DI into you DAW.
Play that passage out through a ream, though D1-2 and back into the daw, recording it's output.
Now, do the same for D3-4, but invert the phase. Record on loop. Pan both to center. Adjust the output/feed of you clean DI track until you have maximum phase cancellation. Probably not more than a couple dB up or down.
Once you get to maximum phase cancellation, make sure to record a full take.
Now, all you hear is the difference of the diodes, plus the difference of hitting the circuit hard enough to match the Vf. This assumes there is no asym clipping behaviour in the circuit. More below.

You could also do this without changing the level for the second track's output, but you question proposed the diodes could clip the same, by varrying the signal level. Alternatively, just record two separate loops and invert the phase and level match the second loop once recorded in the DAW.
You could also use a midside encoder plugin and solo the sum and difference.

If you have plugin doctor, you can play around with sine sweeps and view harmonic generation and some other stuff.

An idea...
 
Start with 2 pairs of matched diodes in the hard clipping position of the circuit of your choosing. Record a passage DI into you DAW.
Play that passage out through a ream, though D1-2 and back into the daw, recording it's output.
Now, do the same for D3-4, but invert the phase. Record on loop. Pan both to center. Adjust the output/feed of you clean DI track until you have maximum phase cancellation. Probably not more than a couple dB up or down.
Once you get to maximum phase cancellation, make sure to record a full take.
Now, all you hear is the difference of the diodes, plus the difference of hitting the circuit hard enough to match the Vf. This assumes there is no asym clipping behaviour in the circuit. More below.

You could also do this without changing the level for the second track's output, but you question proposed the diodes could clip the same, by varrying the signal level. Alternatively, just record two separate loops and invert the phase and level match the second loop once recorded in the DAW.
You could also use a midside encoder plugin and solo the sum and difference.

If you have plugin doctor, you can play around with sine sweeps and view harmonic generation and some other stuff.

An idea...
This is more or less what I had in mind, except with "circuit" I figured why not just go input -> diodes -> output. Yes I lose a lot of volume, but I don't think that should be an issue unless I run really close to the noise floor of my interface or something like that.

As for gain matching, maximum cancellation is a good idea, easier than trying to match peak levels or something.
 
I would at least buffer the in and drop the input level.
Pushing a line level signal isn't the same as an instrument level. You'll be in a way different point in the I/V curve and likely a lot more current. Otherwise it's not apples to apples.
Even something like a simple breadboarded DOD 250 with a fixed gain of 4ish on the 741 would be adequate(enough to hit Vf). Or, switch between 2 gains to match the output levels(similar theory as to varrying the daw out).
But I wouldn't go line level straight into diodes. that signal is several times larger than a guitar signal and your gonna start clipping gain stages.
 
I'm immensely disappointed that this thread has been up this long without mentioning the clipping characteristics of $5 diodes.
Heh...I still have a bunch of them that a long gone poster sent me a couple of years ago. Still haven't gotten around to building a soft clipping widget to test them in though, and in the hard clipper appliances I have on hand the clipped waveform looks fine but I'd never run the appliance that hard anyway.
 
I'm immensely disappointed that this thread has been up this long without mentioning the clipping characteristics of $5 diodes.
I'll have you know it was mentioned in the opening post. Although I don't really expect everyone (or even anyone) to read the whole thing.
 
I'll have you know it was mentioned in the opening post. Although I don't really expect everyone (or even anyone) to read the whole thing.
Ah I read that bit but for some reason my brain didn't register it, I guess maybe because "five dollar" was written out. Or because I'm running on 3 hours of sleep.

Either way, I retract my complaint. Carry on.
 
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