What
@pricklyrobot said.
Also. There can be some advantages of switching in parallel as you will always have a cap in circuit, never fully breaking the circuit. That will result in no breaks in audio when switching and minimize the pop in some circuits. It also means that if the switch fails, the pedal will still work.
Is there a resistor to ground after the input cap forming a filter? Posting a snip of the schem would be nice.
Also. Keep in mind further HPF and decoupling caps in the circuit will add low frequency roll off. So, if you're doing something like bassify-ing a klone, altering some of those values could be beneficial.
Take the BMP and bass big muff ass an example. Same circuit but they literally added a 100n cap in parallel with every 100n decoupling cap.
Say you have 4 caps, 1 input(input decoupling) and 3 other decoupling caps. Say they're all 47n stock. Labeled C1-4.
You can use an additional pole switch and switch both the input cap and one mid circuit, let's say C3. Increase the other 2 to the larger value.
So C2 and C4 to 100n. Now, decrease the "stock" value of C1 and C3 from 47n to 33 or 22n. Switch a 100n in parallel with C1 and C3
This will give you similar roll off across the whole circuit as the stock version being closer to the -3db point of those filter as the stock version all while allowing more bass through the circuit as a whole(when switched into the "mod" position).
Your compensating the lack of two poles by starting the roll off a little higher. There's going to me a minor change in amplitude across a few dB (1/3-1/2 of an octave) around that stock filter point but it's a tradeoff to allow more bass through in the other mode.
Of course, breadboard or socket and use your ears(or simulate).