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So I'd like to put a envelope filter and a BMP in the same enclosure with a parallel blend between them. The envelope filter would always be on and then the fuzz could be added. I'm using Madbeans Kraken and Mudbunney boards and a JMK Paralyzer for the parallel blend. Fark me if I can't figure...

Nope, I'm using the right login. I've tried both just for completeness though. The "new" registration I used to make another account used the same credentials I had in the previous one.

Went to log in to the shop and it wouldn't recognize my login credentials. Had to make a new account and of course all my wishlist and orders have disappeared. Frustrating.

I've breadboarded up a Univox Squarewave (Pulsewave) to see if I liked it before getting the PCB. I've built it stock using a BC550 and J201 with bias trimmers on each. What I did notice is that the "Distortion" control, which is just a bass cut really, has a huge volume drop from one end of...

I use those all the time. Makes assembly and disassembly much easier.

Anyone ever used dry rub lettering with a clear coat to label knobs? I’ve got an amp project that I really don’t want to spend the $$ to get custom faceplates made or try to make inkjet labels for. FWIW they will be cream colored chicken head knobs.

I use solid and stranded silver plated wire from either a vendor on eBay I’ve been using forever or Apex Jr. I pre-tin the stranded. Strip, dip in paste flux, and put just enough solder where you can still see the strands.

Guts

Will do!

I picked these up over the weekend. My wife actually saw them at the thrift store and said “those would be awesome cleaned up a bit”. So, I’m thinking some kind of fuzz or a tube based pedal. What say you?

The fact that I have no idea how to use a scope is one reason I wanted this cheapie version. Hurts less when I blow it up 😁

I had one of these in my Amazon wishlist (use it for bookmarking more than anything) and my daughter bought it for me for Christmas. I know it’s very basic, minimal specs, but is it good for some things as far a pedal building goes? I’d be afraid to use it on a tube amp even with the 10X probe.

So after trying different tone circuits (regular BMP tone circuit, Rat, AMZ BMP modified, AEFEA drive, OpAmp BMP, and just some fixed resistors/caps) the OABMP seems to give me the best overall tone sweep with my Seamoon fuzz circuit. They are somewhat similar. Anyway, I’m assuming that the 47K...

Quick question: With all the grounds tied together with traces like I've done, does a copper pour really make any difference in this type of circuit?

I just cabbaged on to my previous Diptrace thread on this circuit. https://forum.pedalpcb.com/threads/diptrace-first-try-at-pcb-layout.10204/

To expand on adding a BMP tone control and diode protection. Here is what I have so far. I know it could be infinitely smaller I'm sure. I have the tone pot mounted down and the Bite/Level up to form a triangle.

Breadboarded it and putting the BMP tone control right before the volume pot works fine. There is lots of gain on hand. The values I have for the tone stack seemed to work well. I’ve tried my hand at making a pcb, but I’m gonna need guidance. I’ll start a new thread for that.

I breadboarded it up once and then took a stab at designing a pcb for it. I'll have to wire it all back up and add a tone control to see how I like it if I get some time this weekend.

This is Nash's "version". Its a stock Seamoon Fresh Fuzz (Anderton Fuzz) with the added tone control.

It's very loud. I basically just stuck a BMP tone stack in there for example's sake. I'll have to mess around with different ones, but I wan't sure where to try inserting it. When I look at the Nash version the tone stack has two resistors and two caps it appears, IIRC.