Alan W
Well-known member
- Build Rating
- 3.00 star(s)
A main reason I'm posting this is because my last two build reports (Chop Shop and Mercurial Boost) were over the top wows, and my next report, on the General Tso, is going to be more of the same. This was one of my earlier picks for a build, more based on the reputation, and I did like Joe Gore's demo of "his" pedal. I'll certainly keep it around and will check back in with it several times; as is, I'm certainly not overwhelmed with it.
I went with the Albini "mod" values, and used a 2N404A (hfe 63) and a 2N3565 (hfe 213) for the transistors, and OF129 germaniums for the germanium diodes. Beyond keeping all parts (except the larger electrolytics) to within a percent or so of specified values, no mods to the circuit.
Build was without any issues. So far, have only tested my Strat and Baritone Tele through it. On the germ. clipping side, there is quite a large volume drop, and a tonal softness that might be useful at some point. The difference between no clipping and the 1N914 clipping is subtle. So—it adds some fuzzy distortion, there is predictable (once you play with it a bit) interplay between the two knobs, and I did find a setting that I liked. (I think I'm just over-supplied with great options for the "edge of breakup," be it tweed, brown, or blackface, that I spend most of my time in. A subtle fuzz just isn't as appealing.) Pretty sure I will take it apart to finish the box, but may end up just sending it to my nephew, who is always happy to relive me of my excess effects. If I do box it, will be in an orange pearl, with a red metal flake circle on it.
I went with the Albini "mod" values, and used a 2N404A (hfe 63) and a 2N3565 (hfe 213) for the transistors, and OF129 germaniums for the germanium diodes. Beyond keeping all parts (except the larger electrolytics) to within a percent or so of specified values, no mods to the circuit.
Build was without any issues. So far, have only tested my Strat and Baritone Tele through it. On the germ. clipping side, there is quite a large volume drop, and a tonal softness that might be useful at some point. The difference between no clipping and the 1N914 clipping is subtle. So—it adds some fuzzy distortion, there is predictable (once you play with it a bit) interplay between the two knobs, and I did find a setting that I liked. (I think I'm just over-supplied with great options for the "edge of breakup," be it tweed, brown, or blackface, that I spend most of my time in. A subtle fuzz just isn't as appealing.) Pretty sure I will take it apart to finish the box, but may end up just sending it to my nephew, who is always happy to relive me of my excess effects. If I do box it, will be in an orange pearl, with a red metal flake circle on it.


