I was rocking the EB Mammoth set for a bit. I liked them, but they didn't fit a couple of my guitarsI'm using EB "Not Even Slinky" 12-56 for B tuning on a 28" baritone. Actually I swapped in a 24 wound for the third string. OK, and a 58 for drop A tuning.
Yeah I guess I’m not really afraid to do it just seeing if I liked the 64s first. I don’t think I’ll ever have the bottom string lower than A. It will pretty much live in B standardI had to drill the ferrules on my Firefly JM30. Same process as the tuners though
If they're split shafts, you most likely won't have to do any reaming. The Wilkinson and Fender branded versions I've used have been able to take up to an 95 in my experienceok, so that EB set were "Mediums" and the 62 low B (or A) string got me thinking, that's pretty massive for a standard guitar tuner.
So I also ordered a set of Daddario "Jazz Mediums" which are 13-56. Well see which works best.
I haven't ordered the tuners for this neck yet, but since it's a Tele neck, I'll probably stay with vintage style tuners.
Ok my baritone brothers, got another question.
I was originally thinking about converting my Dual P90 Tele into a baritone since I've seen to have acquired a bunch of other P90 guitars.
But I was just playing that guitar and re-fell in love with it.
So....I've got some options. I have a set of Firebird pickups that came out of my Epiphone bird that are actually quite good.
Or, I have a set of Filtertron pickups that I could use.
Or.....I could just go straight Tele pickup set up with some hotter Tele pickups.
Since we're talking about a new build anyway, should I trem or not trem? I was thinking on a Tele body with any of the above pickup options, a short Bigsby would be cool. Especially if I use the Filtertrons.
Thoughts? Comments? Suggestions? I'm open to ideas since this is becoming a Greenfield project.
TIA!!
Good point, hadn't thought of thatIMHO a fixed tele bridge is nice to have with a baritone, because you can get a little more range for intonating when you want to change tuning/gauge.
@MichaelW Go full insane-o like me on my two bass vi’s and throw actives in it I’m pretty settled in the “always go for actives” camp but I really do think baris get such a big benefit from them
Edit: also go full bass vi 30” scale imho. Really easy to convert teles and strats and if you dig baris already you’ll fall in love
The full 30" is awesome for baritones. Much more twang and snappy pick attack with lighter strings
This set is my go-to. But, I only tune to drop A1. Feels and sounds close to a standard scale at standard tuningWhat strings do you like for 30s? I’m partial to flats and I think I’ve tried all vi flat sets but wouldn’t mind some round options up my sleeve. D’adarrio VIs are nice but a little heavy for my taste