My trick has been to stack it with an overdrive that most people complain has TOO MUCH bottom end: the Nobels ODR-1. The last few guitar gigs I’ve played (now, to be fair, they’ve been country gigs) I’ve mostly lived on the back pickup (split to single coil) of a Squier ‘51, Boss CS-3 always on, Lightspeed always on, Nobels for leads, EQ pedal always on set flat with just a slight push on the middle band and about the same push on the level control, into a Blues Jr. A little bit of tape-style slapback, tremolo for the pretty songs, Phase 90 for Waylon tunes. I keep a Mostortion clone for neck pickup bluesy stuff, and a Rat for the 80s.
Like I said, that has been for country gigs, but I’ve used the same board for a more typical bar rock gig, and it sounded great, even with a Gretsch or a Les Paul. I think the Nashville guys might just have it right with the Lightspeed into the Nobels. I’m a bit surprised nobody has done a commercial double pedal with derivatives of these two circuits yet.
My Nobels copy was made by KEP, and looks like a near-copy of the Aion Andromeda but built on KEP’s own PCB. Whatever it is, it has a bass control, which I did have to roll back to about 2-2:30 with humbuckers. With a bridge single coil, I leave the bass wide open, and the top end from the Lightspeed seems to balance it out just fine.