zenhunter72
New member
I just had a general question about what everyone has the best luck with as far as cap choices. I see a lot of pics where MLCC's are used for everything, and then a mix of film and MLCC's, and then box film, greenies, NOS Panasonics ect... I was wondering what everyone preferred for the type of effect? I know when I researched Big Muff circuits they like using MLCC's for decoupling a lot, and sometimes even electrolytics and film. Is there a type of cap that works best in say fuzz vs overdrive vs distortion vs any types of modulation? I've been using a mix of those gray Tayda caps and Wima's, and also the white Kemet one's. When there is some space I'll try stuffing a larger Panasonic or greenie in spot. But I really don't know if it's it's best to stick with one type of cap throughout the whole circuit or if mixing different kinds in a circuit is OK?
Anyway, this is a new hobby for me and I'm enjoying the hell out of it! So far I've build the Photon Vibe, Mini Hetrodyne Receiver, Muffin Fuzz, Boogie Monster, Hydra delay, 2 of the Arachnids, Captain Bit, Corduroy Fuzz, CDLX Envelope filter, Obsidius Preamp, and the Circular.
The Photon Vibe, Mini Hetrodyne Receiver and Corduroy Fuzz are my 3 favorites so far. I can't seem to get the Hydra Delay to sound like the samples I've heard on Youtube. Not sure why. The one's I have in the works are the Emu Preamp, Vanquisher Fuzz, Hyped Fuzz and Blender!
Anyway, this is a new hobby for me and I'm enjoying the hell out of it! So far I've build the Photon Vibe, Mini Hetrodyne Receiver, Muffin Fuzz, Boogie Monster, Hydra delay, 2 of the Arachnids, Captain Bit, Corduroy Fuzz, CDLX Envelope filter, Obsidius Preamp, and the Circular.
The Photon Vibe, Mini Hetrodyne Receiver and Corduroy Fuzz are my 3 favorites so far. I can't seem to get the Hydra Delay to sound like the samples I've heard on Youtube. Not sure why. The one's I have in the works are the Emu Preamp, Vanquisher Fuzz, Hyped Fuzz and Blender!