This week on the Breadboard: The Hybrid Fuzz Driver Deluxe

Ok, here's the final version. I've triple checked that it matches up with the schematic that Chuck posted, so it should be good to go. The routing is a bit tidier than the earlier mockup that I posted, and I also added a bias pad to make it easier to measure Q3's collector voltage as you're setting the bias. You can download the Gerber file here. If you order it from JLCPCB, make sure that you choose the "Remove Mark" option for the "Mark on PCB" setting. If you've never ordered your own PCBs before and have questions, feel free to ask and we'll help you learn how. I'll put up a link to a Tayda drill template and an Excel format BOM tomorrow or Friday.

Hybrid Fuzz Driver PCB.png
 
Hi Mr. Bones, could you please share the vero layout of this pedal? It's one of my favorites. Mr. Skreddy mentioned on TGP that the circuit was designed to sound like Jimmy Page's Marshall through a Fender with 6L6s, and on my TR it really shines. For me, it's the best MIAB I've ever played, wide range of tones and it cleans very well too.

Thanks for all your work!
 
Ok, here's the final version. I've triple checked that it matches up with the schematic that Chuck posted, so it should be good to go. The routing is a bit tidier than the earlier mockup that I posted, and I also added a bias pad to make it easier to measure Q3's collector voltage as you're setting the bias. You can download the Gerber file here. If you order it from JLCPCB, make sure that you choose the "Remove Mark" option for the "Mark on PCB" setting. If you've never ordered your own PCBs before and have questions, feel free to ask and we'll help you learn how. I'll put up a link to a Tayda drill template and an Excel format BOM tomorrow or Friday.
Great stuff mate, if you're using KiCad then the interactive bom plugin is awesome.

Also, need some ceramic footprints!
 
Well, this is a bit late, but here's the BOM.

ValueNameValueName
C250kBASS47nC1
C1kFUZZ5n6C5
C5kGAIN5n6C11
A100kLEVEL4n7C9
B100kMIDRANGE4n7C10
B100kTREB10nC12
220pC2
1MR1100pC7
1MR3470pC8
1MR4220nC3
10kR22µ2C4
10kR522µC6
10kR12C13
10kR16100µC101
22kR6
100kR71N5817D101
56kR8LEDD102
150kR9BC549CQ1
2k2R10BC549CQ4
24kR11BC549CQ5
33kR132N4123Q2
220kR14MP35Q3
330kR15
100RR101
LEDRR102
10kTRIM1
 
No. Lol. I do not have any Germanium NPN transistors. I just used some 2N3903 low gain silicon for Q2 and Q3. Hfe approx. 68 and 82. Sounded good on the breadboard. C4 is tantalum, but on the breadboard I tried a simple nichicon 2.2uf electrolytic and it worked just fine as well.
 
Low gain Si is perfectly acceptable, Skreddy uses aluminum electrolytics in the signal path, so that's good enough for me. In my Skreddy HFD, R9 is carbon comp. Not sure why. CC resistors have loose tolerance, especially the ones that have aged for a few decades. That's one way to vex the circuit tracers. ;)
 
When I traced the Hell bender and Page Bender circuits from Deep trip there were several zero ohm resistors that I just omitted from the schematics I drew up of the circuit. Not sure why they were there.
 
I can think of three reasons right off the bat.
1. They left the option open in case they might need a resistor there.
2. They build a couple different circuits on the same board. Skreddy does this.
3. They needed some jumpers. Is the Deep Trip board double-sided?
 
It is two layers of trace. The pots and components are all on the same side which seemed strange. Come to think of it you're absolutely correct. The hellbender and the page Bender are very similar. Much more so than the BOG is. I noticed after looking at it again, that they use the zero resistors where they needed the path to make continuity. Like a jumper. And then they just omitted ones that we're not needed to complete the path when other components finished the path. Which is all strange because the traces are not the same on the two boards.
 
Here it is..

BC109C, BC211, MP38A. Voltage readings on a schematic below.

1745521874519.png
And working pcb.

1745522576635.png

The only thing I don't like about the sound is a bit fizzy decay of the notes. I don't know (yet) if that's a feature or something to manage that requires hammering here and there.
The rest is pure joy.. very dynamic, with good tonal posibilities and wide gain range. Sound is rich, with many harmonics.
 
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