I love the sound of Tron's as well. Just not too sure if I want that in a Strat.
I've always hated the sound of a Strat bridge pickup too until I discovered two things. First was the Lollar "Special S" pickups. These are a little hotter wound but not super hot (7.6k DC) I've used this pickup in my current Strat and the Tele version in both of my Tele's. This has really opened the door for me on using the bridge pickup on a Strat. They're fatter and hotter, as expected but most importantly, they have "character" which is something missing in most overwound Strat bridge pickups to me.
The second thing I discovered was the Eric Johnson Strat wiring. (It's not exclusive to him, other people use it as well) But it puts the bridge on its own dedicated tone control and uses a .01 or .015 tone cap. The middle pickup by passes the tone stack and is wired directly to the switch.
Master volume. The .015 rolls off the treble a little slower and gives you a wider sweep and range of tone roll off and you can pre set the bridge to where it sounds the best. Rolled all the way down you can get into that warm tone that EJ favors. I usually have mine set around 50% ish on the bridge pickup. You can hear how this sounds in my Pink Floyd pedal demo. The last solo is played on my Strat bridge pickup (Lollar Special S), tone rolled off about 50% through my Gnat Fuzz. You can really hear the harmonics jumping out (or trying to jump out). That's mostly the pickup doing that. Same with the earlier solo with the Lollar P90's.
The upper tone control is for the neck only. In the middle pickup position it acts as a "blow switch" if you want a full bore solo sound.
I'd really like to try one of the "Wudtone" kits. They sound pretty cool.
I just don't have the patience for nitrocellulose lacquer. Plus I don't have a spray booth.
I've seen some his videos before. He's got an interesting approach to some stuff, like fret dressing. Not the way I'd do it.Checkout crimson guitars stunning stains and finishing oils. They seem to have a higher success rate than the wudtone kits with anyone I know who's used them in the UK. They have a range of different finish options on there.
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NVM, I see he has both oil and water based finishes....interesting....I've seen some his videos before. He's got an interesting approach to some stuff, like fret dressing. Not the way I'd do it.
I've never heard of this finishing stuff before though. Looks interesting. It' all oil based?
Yikes, his oil based finishes contain MEK......(methyl ethyl ketones). I've been exposed to enough of that crap the 7 years I spent building boats to last a couple of lifetimes.....NVM, I see he has both oil and water based finishes....interesting....
Yikes, his oil based finishes contain MEK......(methyl ethyl ketones). I've been exposed to enough of that crap the 7 years I spent building boats to last a couple of lifetimes.....
MEK is used (amongst other things) to catalyze fiberglass resins. It's pretty toxic stuff. The water based stuff looks interesting. I'll check out the strat bridge....I'm in the market!I have no idea what that is but from your repsonse it's obviously not good. I find Ben to be an 'interesting character' to be nice and have never managed to sit through any of their videos tbh.
I just know a few builders who had problems with blotchy or patchy finishes and not getting the depth of colour they wanted with wudtone who all had much better results with the crimson guitars stuff.
One thing I can recommend at wudtone though is their strat bridge. It's pricey but fantastic.
MEK is used (amongst other things) to catalyze fiberglass resins. It's pretty toxic stuff. The water based stuff looks interesting. I'll check out the strat bridge....I'm in the market!. I usually assembly my own. I'm a huge fan of the Highwood Strat saddles. I have them in two guitars. I also like to try different sustain blocks. I have steel in one and brass in the other.
ok cool, looks like I can get the Wudtone trem parts here in the US from BYO. not cheap. All I want is the bridge plate and trem arm. Looks like that's where most of the action comes from. I've seen this trem before (and forgot about it hahaha). Looks pretty cool. I'm not a huge trem user these days so it's not the MOST critical for me. But still, looks like I can build off of the Wudtone baseplate.Good to know. Like I said I've not used it yet. I know a few builders in the UK who all recommended their stuff for ease of use at home scenarios and warned me off the wudtone finishes (that was my first option).
As I said I do love their strat bridge though. The quality's excellent and it's easily the smoothest strat trem I've ever used. I've been dithering over trying one on my prs for ages but it's a lot of money for an experiment on a guitar I already love.
ok cool, looks like I can get the Wudtone trem parts here in the US from BYO. not cheap. All I want is the bridge plate and trem arm. Looks like that's where most of the action comes from. I've seen this trem before (and forgot about it hahaha). Looks pretty cool. I'm not a huge trem user these days so it's not the MOST critical for me. But still, looks like I can build off of the Wudtone baseplate.
I "think" according to this, the bridge plate comes with the "whacker".
Which one are you getting? I've been thinking about an SG too, I was either going to buy a Harley Benton and mod the F out of it, or build a kit.I have been putting off ordering an SG kit to build (bolt-on neck), and I think this thread has inspired me to finally order the kit. I've been stressed about having to paint/stain and finish. My artistic abilities are limited...I peaked at fingerpainting. I'm terrified I'll mess it up and it'll look like Gibson did the finish...
No it's not as good as a Warmoth. Those things are usually gnats ass perfect. But is the Warmoth $300 better? No. (Actually more like $400 more with a finish.)Seeing your comments on the gfs bodies really makes me want to try one. I was saving my money for a warmoth but if it's $300 less and almost as good...?
No it's not as good as a Warmoth. Those things are usually gnats ass perfect. But is the Warmoth $300 better? No. (Actually more like $400 more with a finish.)
All depends on what you want. If you want a premium instrument, then Warmoth is the way to go. I have zero negative to say about them, every single Warmoth product I've ever used I've not regretted. But you do pay for it.
On the other hand, the GFS is easily 95% of the Warmoth. (At least the 2 examples I've had). The dimensions are all period correct, radii are all correct, neck pocket is cut correct and straight and cleanly. Bit of a crapshoot if you're concerned about weight. But this Strat came in pretty good at around 4 and change. I remember a few years ago folks complained about GFS alder and ash bodies coming in over 5lbs. That tells me the wood wasn't being dried correctly. Seems like they've addressed that issue.
The Burgundy Mist on my Tele and this Candy Apple Red finish were gorgeous and well done. Can't speak for any of the other finishes. I don't like any of their sunbursts, so I personally would avoid them. They don't look right to me.
I will say this, last year I ordered an Allen Eden (or Eden Allen?) body. Which is another low cost body. It was total crap and I sent it back.
These GFS XPG bodies are in a completely different class.
I will also say, the whole point of me buying and using the GFS body was because I was experimenting with dulling the finish. And on my tele I was experimenting with routing pickup cavities. So I went with something more affordable in case I totally messed it up.
If I were starting from scratch to just build a killer guitar, I'd probably get a nitro body, probably an MJT body from JV Guitars.
Solo Guitars, out of Canada...not that there's anything wrong with that...Which one are you getting? I've been thinking about an SG too, I was either going to buy a Harley Benton and mod the F out of it, or build a kit.