Based on what I see online, my thought is to solder it like this:
View attachment 39760
Thanks, I'm delaying this because I realize I got the wrong cap! I meant to get a 220 pF cap (0.22 nF) but accidentally ordered a 2200 pF (22 nf) cap.That looks correct. The lug on the right should be the ground. You want the other two lugs…
If that B500k is the tone pot then it's the wrong pot. The treble bleed goes on the volume pot, same two lugs.Based on what I see online, my thought is to solder it like this:
View attachment 39760
THe B500K is the volume pot.If that B500k is the tone pot then it's the wrong pot. The treble bleed goes on the volume pot, same two lugs.
So if that is a cap between the volume and tone pots. What is the best would to preserver the high end when turning down the volume pot? I find I get very muddy if I turn the volume down. Should I substitute a different cap, add a second cap, move the position?223 is indeed an axial cap, however...
22 to the 3rd decimal place, ie 0.022µF (22nF, 22000pF)
The "K" after the number, if I'm not mistaken, means it's a ±10% tolerance cap.
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You can check out the datasheet for the 160BB here.
Normally, 50's Wiring would fix that. It appears, however, that your circuit is already wired with 50's wiring...though I could be seeing things incorrectly...So if that is a cap between the volume and tone pots. What is the best would to preserver the high end when turning down the volume pot? I find I get very muddy if I turn the volume down. Should I substitute a different cap, add a second cap, move the position?
In the OP you said the A500k was the volume pot.THe B500K is the volume pot.
My mistake b500k volume and a500 toneIn the OP you said the A500k was the volume pot.
Find out which wiring diagram is for your guitar and post it here?
@MichaelW does a lot of guitar work (I don't), perhaps he can shed some light on your wiring and treble-bleed issue.
Is this the same guitar as for your other thread?
That seems so odd to me as I'm just so used to logarithmic being used for volume in pedals.My mistake b500k volume and a500 tone
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Since you already have the pots out I'm going to highly suggest swapping the volume pot out for an A500k.
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Me too until I got my Jazzmaster, which has a linear pot for both.That seems so odd to me as I'm just so used to logarithmic being used for volume in pedals.
Given that there's one of each (log and linear) I'd just swap the pots, given my pedal-centric notions:
A500k = Vol
B500k = Tone
I knew you'd bring the Jams to the thread.![]()
223 is indeed an axial cap, however...
22 to the 3rd decimal place, ie 0.022µF (22nF, 22000pF)
The "K" after the number, if I'm not mistaken, means it's a ±10% tolerance cap.
![]()
You can check out the datasheet for the 160BB here.
I changed the plastic pickup trims from white to black (I think it looks better).Hi Ctrl4Smilerz
I got the same guitar in November, and for me I’d have to say the clean up is pretty good. I know that doesn’t help you, but there are a few things about your guitar that give me pause for thought.
Your pots have long threads, needing several washers to pack them out. Mine are the regular ones, not needing any packing.
The pickup surrounds are black, I’ve only seen black ones on the blue finished version of this guitar and yours looks like the Tricolour which came with light coloured ones.
They are the standard 58/15 S pickupsHas your guitar been worked on? Are they the 58/15 S pickups?
If you haven't pulled the pots out, how do you know yours has different pots then mine?I wish I was able to tell you the values and tapers of my pots but unfortunately although my pots are alpha pots they don’t have the value or taper stamped on the back like yours.
All the wiring is neatly tidied away in mine with cable ties stuck to the underside of the top which is why I’m reluctant to pull the pots out to see what is what.