I've been down rabbit hole of stereo chorus effects, and other stereo modulation circuits. I'm building a few Class D small amps as part of the experiments. This one is soooo close.
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Cool. I'm looking at doing a powered cab or two for stereo EFX myself. I've built several not so small Class D bass amps, and am looking forward to doing something a bit less involved.I've been down rabbit hole of stereo chorus effects, and other stereo modulation circuits. I'm building a few Class D small amps as part of the experiments. This one is soooo close.
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find it on the same level of difficulty as analog?
Since I'm just using a generic Class D amp board from partsexpress.com it's about the simplest part of the project
I'm using this module:
And this power supply:
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24V 5A DC Switching Power Supply AC Adapter with 2.5 x 5.5mm Tip + Plug
24V 5A DC Switching Power Supply AC Adapter with 2.5 x 5.5mm Tip + PlugSwitching power supplies are reliable, compact, and efficient. This regulated 24 volt DC 5A power supply provides ample current to run many popular devices and accepts inputs 100~240 VAC. Use it to replace a lost or damaged...www.parts-express.com
Inputs go straight into the Class D amp board since I'm driving it with stereo effects which already take care of impedance matching and buffering the guitar input.
The ICEpower modules over there are a fully professional solution, and many include a built in line powered power supply and often an aux low voltage supply suitable for powering a preamp. Some of the ICE models are optimized for musical instrument applications too, FWIW.Nice! I didn't even know you could source such a thing.
Hi cassette friend!<3 I sold all my digital recording devices, and only use the one below nowadays (Ebay photo from my purchase, that was cleaned and got fresh belts). Makes me quite, ehm focussed on what I record. In fact, I don't record songs anyway, just drone backing tracks and odd junk noise to play on top of; tape saturation glues oddly matched gear nicely together!Since y'all asked
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For the Elastic Mattress who's sacrifice will not be in vain.Too early to tell yet but it seems the Past FX Elastic Mattress has a similar audio path to the V2-V5 Mistress but with the LFO of the V6/DEM.
I’ve gone full destruction on it however so it won’t be moving along after me. Although I’ll share my trace when I’m done.
Scrambler'd it.Too early to tell yet but it seems the Past FX Elastic Mattress has a similar audio path to the V2-V5 Mistress but with the LFO of the V6/DEM.
I’ve gone full destruction on it however so it won’t be moving along after me. Although I’ll share my trace when I’m done.
Some of us find DBA circuits. For others, it finds us.That Sansui looks fantastic. I'm in the worship music biz these days (less solos but nobody spills beer on your board) and it's worth noting that we use tracks from time to time but generally always have a drone backing track that sets the mood between tunes. It's a thing. I'm either one of the guitar players/bass or I run sound and the drone track tends to be very simple but kinda critical piece of the modern presentation. I know none of this sounds very "service" but I'm using musician terms here.
Might be worth figuring out how to get into the "ambient" thing because I see more and more fairly big names getting into it. People seem to be getting away from simply coming up with cool synth pads and branching out into guitar stuff as well as "found" audio. Pretty fascinating stuff.
I'm probably the only guitar player worth his salt that doesn't have a pedalboard covered in Strymon stuff.