What's on the workbench?

Nice box of antennas, that. Surely that spaghetti mess is more susceptible to EMI/RFI noise, input-output coupling, etc... i.e., all the stuff a halfway-decent PCB layout helps defend against? Or it just goes to show how forgiving (some) effect circuits are?
 
Any word on this project @Robert?

I need to start back on it soon.

I put tracing things on hold when I lost my desk, but that's taking much longer than expected so I've started easing back into it again.... at my workbench, of all places. I've never traced anything at my workbench and it feels weird..

Different bench, meter, computer, chair, everything.... it's just all wrong. Much better lighting though, so I really need to get used to it. 🤣
 
I need to start back on it soon.

I put tracing things on hold when I lost my desk, but that's taking much longer than expected so I've started easing back into it again.... at my workbench, of all places. I've never traced anything at my workbench and it feels weird..

Different bench, meter, computer, chair, everything.... it's just all wrong. Much better lighting though, so I really need to get used to it. 🤣
 

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That oughta floor Robert, not having a desk to work on.

Did he look under the floorboards yet?

Wait, does he even have any floorboards yet?



Well, I didn't see the desk here, or any pedals at all for that matter:

FLOOR-BOARD trappings.jpeg
 
No, for that one they slapped a single tone control on the end of a Soldano SLO and swapped two component values.

Somehow it works better than having the full tone stack... 🤣

No wonder. I find it really weird that designers stick FMV tone stacks in pedals that are meant to go into amps that already have an FMV. You end up either having to fight one of the two tone stacks, or get lost in the mix due to lack of mids...
 
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