My Pauper (Prince of Tone) suffers the same issue as a Bluesbreaker mk1 clone I built many years ago. That is, the volume needs to be up well past noon (around 2:00-3:00) to be at unity. This isn’t a real problem, given how I use the pedal, it’s just something I’m neurotic about - I like my unity gain around 10:00-noon.
I don’t think I’m the only one with this feeling, as the Pot & Kettle (Snouse Black Box) adds a 2n5457 final gain stage, to solve exactly this problem (with the BB mk1).
The Pro-10 is another BB derivative, it uses a single opamp to bump the output.
And I don’t have an example handy, but I’m sure there are plenty of designs (maybe not necessarily BB based) that use a BJT to boost final level (and lower output impedance).
So there’s no shortage of ways to do this, I’m just asking a more general question: what are the considerations for using one method over the other?
Thanks!
I don’t think I’m the only one with this feeling, as the Pot & Kettle (Snouse Black Box) adds a 2n5457 final gain stage, to solve exactly this problem (with the BB mk1).
The Pro-10 is another BB derivative, it uses a single opamp to bump the output.
And I don’t have an example handy, but I’m sure there are plenty of designs (maybe not necessarily BB based) that use a BJT to boost final level (and lower output impedance).
So there’s no shortage of ways to do this, I’m just asking a more general question: what are the considerations for using one method over the other?
Thanks!
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