And furthermore: Have you realized that with a little time in the tone studio, you can replicate every pedal you own with it? For 300 bucks and the footprint of a house cat.
A rational man would stop this pedal building habit all together. But he also wouldn't understand the joy of plugging DIY pedals into a JCM800 half stack in your basement and playing the same 8 power chords for an hour.
On a serious note, the Katana is a pretty cool amp. I have the head, so I can:
1. Use the internal speaker as a practice amp.
2. Run headphones out of it.
3. Use it to answer questions like, "Do I really want a flanger pedal. . . or do I just *think* I want a flanger pedal?"
4. Use it for things I can't do with the Marshall. Like weird ambient mod/delay/reverb stuff, since I don't have the actual pedals.
5. Get good tone out of it. And it has the power to be loud through the the 4x12. Once it's loud enough to move some air and feel the vibration, it makes me grin like a goofy 12 year old kid.
I really like it. But there's some sort of magic inside the JCM that's not inside the Katana. I don't know if it's truly in the sound or if it's just emotional attachment inside my brain. I'm guessing it's the second one, and in a blind test I'd have no idea which was which.
Hmm. I just took a long pause after I wrote the last sentence. Because the most glorious sound I've ever created came from a Gibson SG into a Fuzzlord FET120 into the effects loop return of the JCM. And I haven't replicated that sound with the Katana. Well, now I'm just rambling in a circle.
Dan
A rational man would stop this pedal building habit all together. But he also wouldn't understand the joy of plugging DIY pedals into a JCM800 half stack in your basement and playing the same 8 power chords for an hour.
On a serious note, the Katana is a pretty cool amp. I have the head, so I can:
1. Use the internal speaker as a practice amp.
2. Run headphones out of it.
3. Use it to answer questions like, "Do I really want a flanger pedal. . . or do I just *think* I want a flanger pedal?"
4. Use it for things I can't do with the Marshall. Like weird ambient mod/delay/reverb stuff, since I don't have the actual pedals.
5. Get good tone out of it. And it has the power to be loud through the the 4x12. Once it's loud enough to move some air and feel the vibration, it makes me grin like a goofy 12 year old kid.
I really like it. But there's some sort of magic inside the JCM that's not inside the Katana. I don't know if it's truly in the sound or if it's just emotional attachment inside my brain. I'm guessing it's the second one, and in a blind test I'd have no idea which was which.
Hmm. I just took a long pause after I wrote the last sentence. Because the most glorious sound I've ever created came from a Gibson SG into a Fuzzlord FET120 into the effects loop return of the JCM. And I haven't replicated that sound with the Katana. Well, now I'm just rambling in a circle.
Dan