DGWVI
Well-known member
EDIT - see Post #20 for more demos
A Parasit Studio Into the Unknown board with a few hacks.
The big rotary selects which output of the PLL is sent to the mix knob-
Position 1 is the stock Squarewave from pins 3&4
Position 2 pulls a Pulse wave from pin 1
Position 3 is also a pulse wave, but an octave higher as dictated by the timing cap. This is pin 2
Position 4 is a saw wave from pin 7
Position 5 comes off of pin 13, not sure what I'd call it
The smaller rotary switch selects the timing cap between pins 6 and 7, from 100pf to 100n. This changes how the VCO responds to the input
There is also an additional 33n cap coming off of the PLL side of R5 that connects to ground. This helps to reign in the tracking so a wider variety of pickups can be reliably used
The extra pot is a 25kB in place of R6, similar to the lag control found on the Schumann
Still need to get it stamped and knobbed, and will be doing a much better and more comprehensive demo tomorrow when I get home.
A Parasit Studio Into the Unknown board with a few hacks.
The big rotary selects which output of the PLL is sent to the mix knob-
Position 1 is the stock Squarewave from pins 3&4
Position 2 pulls a Pulse wave from pin 1
Position 3 is also a pulse wave, but an octave higher as dictated by the timing cap. This is pin 2
Position 4 is a saw wave from pin 7
Position 5 comes off of pin 13, not sure what I'd call it
The smaller rotary switch selects the timing cap between pins 6 and 7, from 100pf to 100n. This changes how the VCO responds to the input
There is also an additional 33n cap coming off of the PLL side of R5 that connects to ground. This helps to reign in the tracking so a wider variety of pickups can be reliably used
The extra pot is a 25kB in place of R6, similar to the lag control found on the Schumann
Still need to get it stamped and knobbed, and will be doing a much better and more comprehensive demo tomorrow when I get home.
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