Ouch! Perhaps for Christmas...
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Yeah.... I have his low wind P-90s in my Collings 290 (they were what came in it), and I'm having a Hollowbody Baritone built that is either going to use his Johnny Smith or a pair of the gold foils. Jason probably charges average for his peer group of PU builders—I'm not saying they (the top tier builders: Lollar, Frail, Allen, Klein, etc.) are the best, but they are close (if not the best), and have enough time spent selling them that they have wide reputations. Then, there are exceptions, like Wylde, (Bill Lawrence—now his wife and daughter do everything), who, if you want the type of pickup that they are (sound wise—very hi-fi, extended his and lows, more tightly focussed magnetic fields, so less noise, etc—they hand wind to order, ship in a few days, and charge about half that. Both Lindy and Jason have credited Bill with teaching them much of what they knew when they started their companies, and I'm sure they're still using the wires that Bill designed and had the wire manufacturers make specifically for pickup use; that was either during his time at Gibson or Fender.
I play very low gain, (90% of the time), so noise is not that big an issue; I think if I was recoding, I'd look more seriously at these—Although I'm afraid to change anything in that 290, it just has such a perfect "junior" tone to it, and the body is so alive that if I play clean, with no effects running, there's almost a bit of reverb happening (This takes me by surprise, since I typically play with some sort of mod blended in at a low (or not so low) level, which is enough to obscure the resonance sounds.)