Roses are red…

A few years ago I did a Strat repaint for the brother of a friend. The brother, a professional musician with good ties to the local scene, was broke, so I suggested a few lessons as a trade. The lessons mainly involved a few songs that were all "big boy chords" (as he called them)—and I was severely reminded of just what a klutz I am. I was able to eventually play most of "Here, There, and Everywhere" at about half speed—and while I loved the way it sounded, it was still quite a struggle. Enough so that I'm afraid I'd be back to square one at this point. I am always more in awe at watching a good guitarist comp vocals, especially in videos from the 40s and 50s, than I am by any of the modern shredmeisters. While I was complaining about this to my oldest friend, (and fellow guitarist from Junior High School) he sent me a few helpful images. It helps to have a picture to know where each finger should be.

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The most awesome jazz chords I have seen are from Tuck Andress from Tuck & Patti. He is an absolute Master. He will occasionally bring his thumb under the neck to fret a note with it.... Like it's nothing
 
The most awesome jazz chords I have seen are from Tuck Andress from Tuck & Patti. He is an absolute Master. He will occasionally bring his thumb under the neck to fret a note with it.... Like it's nothing
He is way, way up there in my opinion. As much as I love both his guitar work and Patti’s singing, I get tired of listening to their music.
 
There are 4 master class videos that are all worth the watch. He talks about the thumb thing at about 6 minutes in the first one.




 
So I got some great advice about this: “just play the 3 and 7”.

This is going to be in a big band, so there’s no need to fill out the entire chord. Mind blown.
 
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