Am I the only one that doesn't really like strats?
I promise to, if I win.Who ever wins this I’m gonna need you to try this one out.
Those sound like some killer uprights! Do you have a piezo, magnetic, or mic system of any sort for your ‘32 Alcoa? I’d love to hear a nice upright bass like that thru some pedalsWell, you said guitar, Fig, but... Here's my favourite axes:
#1) 1932 AlCoA upright,
#2) 5-string upright by Emmanuelle Wilfer that I wanted but couldn't afford — Wilfer, made it for a well respected Torontonian Jazz bassist in the 1930s. The very prestigious shop out of NY butchered it into a 4-string just to get a sale — M Fers.
#3) Cheap & cheerful go anywhere do anything CCB — all plywood and if it got wrecked I'd be super bummed 'cause it's irreplaceable for the amount of fun I've gotten out of it and I wouldn't be able to replace it for the money I paid.
Two out of three ain't bad.
If you rillayrillay meant guitar:
#1) Gibson 1968/9 SG Special
#2) Gretsch Rancher
#3) Tele-clone
Why? Because they're mine.
Fantasy Guitars:
#1) '54 Gibson Les Paul "Golden Custom" (hybrid of Goldtop body with Custom neck (early 50s) with Bridge P90 and Neck Staple pickups respectively. I'm a fan of Les Paul the dude, 'cause he was funny as hell, a CGP, and gave us modern multi-track recording amongst many other gifts. And no, Gibson never made a "Golden Custom" — that's just what I'd butcher up if I had a bajillion in the coffer.
#2) '56 Gretsch Sparkle Jet
#3) Wild Card — any of the following: '57 Mary Kay strat / Kelvinator Barney Kessel / '66 Jaguar / Japanese Fender Bottom Master ...
ooohh it's a long list and I don't want to keep you here for daze.
Alcoa wut?!Well, you said guitar, Fig, but... Here's my favourite axes:
#1) 1932 AlCoA upright,
#2) 5-string upright by Emmanuelle Wilfer that I wanted but couldn't afford — Wilfer, made it for a well respected Torontonian Jazz bassist in the 1930s. The very prestigious shop out of NY butchered it into a 4-string just to get a sale — M Fers.
#3) Cheap & cheerful go anywhere do anything CCB — all plywood and if it got wrecked I'd be super bummed 'cause it's irreplaceable for the amount of fun I've gotten out of it and I wouldn't be able to replace it for the money I paid.
Two out of three ain't bad.
If you rillayrillay meant guitar:
#1) Gibson 1968/9 SG Special
#2) Gretsch Rancher
#3) Tele-clone
Why? Because they're mine.
Fantasy Guitars:
#1) '54 Gibson Les Paul "Golden Custom" (hybrid of Goldtop body with Custom neck (early 50s) with Bridge P90 and Neck Staple pickups respectively. I'm a fan of Les Paul the dude, 'cause he was funny as hell, a CGP, and gave us modern multi-track recording amongst many other gifts. And no, Gibson never made a "Golden Custom" — that's just what I'd butcher up if I had a bajillion in the coffer.
#2) '56 Gretsch Sparkle Jet
#3) Wild Card — any of the following: '57 Mary Kay strat / Kelvinator Barney Kessel / '66 Jaguar / Japanese Fender Bottom Master ...
ooohh it's a long list and I don't want to keep you here for daze.
I use an Underwood and swap it between my basses, E-side only — other half of the pup is stuck in some foam so I don't get phase cancellation blah blah blah. That either goes into my PZed-Pre or into a HPF3+ by Frances Deck. He's kindly made his schematic public, so I'll build myself one that's in a proper pedal format (currently in a box meant to hide behind the tailpiece, but I just have it on my pedalboard).Those sound like some killer uprights! Do you have a piezo, magnetic, or mic system of any sort for your ‘32 Alcoa? I’d love to hear a nice upright bass like that thru some pedals
Alcoa wut?!
Looks like you are the one who needs to try this one out. Congrats.Who ever wins this I’m gonna need you to try this one out.