Agreed 100%. I think your point about playing at volume/with a band may come a bit of a way to explain why mid-boosts like the TS are so polarizing. I really like a muff, but I can't really use the stock circuit with a band setting without the guitars getting eaten up by the bass/cymbals.At the risk of opening a can of worms, I also think volume level used, and if the user plays/has ever played in a band at volume and with other people matters as well. No judgement to home-only players either, it's just that the needs and preferences can be quite different to those that play loud and live with others.
Also jazz guys. If you like guitar jazz, we basically have opposite ideas of what good guitar tones are
Specifically I'm thinking of Julian Lage. He plays a vintage tele, probably a cool guy amp, and gets covered a lot by gear related outlets, but sounds YUCKAgreed 100%. I think your point about playing at volume/with a band may come a bit of a way to explain why mid-boosts like the TS are so polarizing. I really like a muff, but I can't really use the stock circuit with a band setting without the guitars getting eaten up by the bass/cymbals.
In re jazz guitar: most jazz guitarists don't really seem to be gear heads beyond the guitar itself. I've rarely seen pedalboards and it's not uncommon to see them plug into whatever amp is there and make it work.
I just built the madbean blue steel with the Keeley mods. Sounds different than the stock. I’m digging it.Did you try different clipping diodes from 1n4148 ? The diodes mod below did a noticeable difference on my build. Like DS-1 and many boss pedals, the circuit is great but the stock parts are ruining the sound. The FET transistors selection is also very important. I can recommend 2SK117 or 2SK209 (seen in Aion's and Lectric-Fx versions).
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I am sure that you will soon worship and make many offerings to your BD-2, if you start modifying it to your tastes.
BD-2 is among the best circuits ever created, a real masterpiece, all experts are in agreement on this matter. But I wouldn't expect it to sound right with 1N4148 and J201....
Take good care of it !
My swiss army knife is a double pedal. A TS into a Rat. The TS makes the Rat a bit smoother and gives also a stellar slide sound.I've been building a few TS variants lately and I get your point.
I use the FatRat mod on my clone and its great this way playing all alone. With the band the normal Rat works better imo.Obviously you'll never get consensus on a question like this! The Rat is one of those pedals which is hugely popular but to me is one-dimensional and severely lacking in low-end. I totally get why it's popular but it doesn't work for me at all without significant changes. And yes I have tried all the commercially available varieties made by Proco. But for others it is perfect. And that's fine!
You make some really excellent points in here.Obviously you'll never get consensus on a question like this! The Rat is one of those pedals which is hugely popular but to me is one-dimensional and severely lacking in low-end. I totally get why it's popular but it doesn't work for me at all without significant changes. And yes I have tried all the commercially available varieties made by Proco. But for others it is perfect. And that's fine!
We all have a different "sound in our heads" that we are going for. I don't like when the distortion gets to the point where there is more white noise than guitar tone. Which cuts out most distortion pedals for me!
For me versatile doesn't mean I can get a gazillion different sounds from it, or switches and knobs. For me versatile means it will work with all of my quite varied range of guitars and amps and work with bridge and neck pickups (not all dirt boxes do).
I also find that there is some kind of law of diminishing returns when it comes to the number of parts involved! Strangely enough my favourite ODs are all quite simple circuits, based on things like the Timmy or Bluesbreaker. Once you get to things like the Friedmans you've lost me. Too many parts clouding the sound. I am yet to hear a great OD for my style which uses more than two ICs, for example. The Horsemeat comes close, but is still noisier than I'd like and doesn't have the crisp, clear low end that I like for an all-round dirt pedal. It's a great sound but more specialised, not a good all-rounder.
But of course most players will have different needs and tastes. And I still admire many guitarists who get completely different sounds from me. I love Joey Santiago's playing and sound but would struggle with his rig. I saw him play recently and he's fantastic. And he sounds very different from how I play.
Bit tangential, but I think it’s a great experience to work with a limited set of pedals and make them work. Swapping out endlessly means more time away from actual creation. I haven’t changed my board in over a year despite making many pedals, and I’ve found that I’m much more productive that way.
That's not a Swiss Army Knife, that's a Swiss Army!I'm about to cause a stink... You know what pedals I consider the ultimate Swiss Army Knife pedals without going full programable/Kemper/Helix/etc?
The Line 6 DM4, DL4, and MM4...
Had those three on my board for YEARS, with a Way Huge Green Rhino and Aquapuss... just as a backup.
You could seriously get about any drive, delay, or modulation you could need. you could make 4 presets... It was just so easy to deal with... ESPECIALLY if you only needed each effect for just a few seconds in a song... You could buy one box and cover all the ground. Highly underrated pedals. Even Mike Campbell (tom petty) and Chris Shiflett (Foo Fighters) had some of them on their boards
Still have mine.Zoom 505.
I sorta jumped the shark and missed the "dirt" partThat's not a Swiss Army Knife, that's a Swiss Army!