Commercial Build vs DIY Build

That got me thinking, what’s the real difference between a DIY pedal and a commercial one?
Marketing mostly.
Is it the quality of the components? Like better jacks, caps or enclosures?
Still marketing.
Is it the artwork or how polished it looks?
This also falls under marketing.
The circuit design?
Pretty sure it's still a marketing thing.
Maybe it's all about clean soldering and tidy wiring?
I've seen a lot of shoddy soldering in commercial pedals. I believe it comes down to marketing.
All of the above? None of the above?
None of the above. It comes down to marketing.
At what level does a DIY build turn into something commercial level?
When the DIY build gets "marketed" it turns into something at the commercial level.

Has anyone mentioned marketing yet?
 
Packaging is a big one. It's quite literally the first thing people see when it ships to them. Packaging helps you to "punch above your weight class".

Packaging is a thing that really doesn't yield monetary value but it hurts you if you don't address it.
In an odd way though, I remember the first few “small company” (before “boutique” was a thing) (HBE, Red Witch, Dr. Scientist, etc.) pedals that I bought, and thinking there was something nice about the fact that they came in plain cardboard boxes, with obviously laser printed instruction sheets. But, times have changed, and I do agree with you!
 
To me, "commercial" implies that there is qty of the pedal available for mass consumption. In this vein, DIY becomes commercial when a pedal is produced en masse and is available for sale at a venue capable of reaching an audience sizeable enough to consume such quantity.

If I make two of some pedal and stick them both on reverb, it's DIY. If I make 100 and sell through them in some sort of measurable consistency, it's commercial
 
To me, "commercial" implies that there is qty of the pedal available for mass consumption. In this vein, DIY becomes commercial when a pedal is produced en masse and is available for sale at a venue capable of reaching an audience sizeable enough to consume such quantity.

If I make two of some pedal and stick them both on reverb, it's DIY. If I make 100 and sell through them in some sort of measurable consistency, it's commercial

It's purely profit. By it's very definition.

There are certain things you can do to stand out and increase the quality and quantity, but profit is the only definitive driver.

If your intent is to turn a profit, you are a commercial builder whether you sell 10 or 1000 of the same pedals.
 
Some great points here.

Is a DIY as “good” as a commercial build?

Good being subjective.

There are outliers but DIY vs a Boss or EQD for instance.
 
Some great points here.

Is a DIY as “good” as a commercial build?

Good being subjective.

There are outliers but DIY vs a Boss or EQD for instance.

It's not very difficult to find someone doing "onesy-twoesy" builds at home that could easily rival the best commercial products out there in both build quality and sound quality.

There are also people moving pedals at relatively big numbers where I would be ashamed to have released it. That's just my subjective opinion.

One of the big drivers in this distinction seems to be aesthetics. What I generally enjoy looking at for any build is the care taken to make intangible things like PCB layout, cleanliness of wiring, quality of packaging, etc. look top notch.

I think there are incredible builders at every level when you take that criteria into consideration.
 
Good being subjective.

Very much so.

If I shoved a PCB into an enclosure mounted by nothing more than a tangled nest of offboard wiring, and the only thing preventing it from shorting against the enclosure lid is a little sheet of plastic I tossed inside at the last minute just before slapping the lid on and tightening down the screws.... you would probably call that "less than ideal".

Yet when Boss does it....
 
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Hats off to anyone who decided to try and make that leap from “DIY” to “commercial” it only took selling a few pedals before I realized that idea sucked the fun out of the hobby for me. I can definitely see how logistics can start eating up more and more time, I already don’t play guitar as much as I use too (or would like too) and it’s the first thing to get side lined in the name of priorities these days. “Ain’t nobody got time for that.”
 
Commercial != industrial

Lots of DIYers sell their stuff. Call it boutique and ask chatGPT for fancy marketing words xD

Just try to use good quality components (less failing), and develop a process good enough so that you don't have to put a lot of hours per pedal and avoid having to solder-desolder-solder-etc.

Results using PedalPCB designs are very professional. Have you seen gut pics of older JHS pedals?

1753453342067.png
 
Very much so.

If I shoved a PCB into an enclosure mounted by nothing more than a tangled nest of offboard wiring, and the only thing preventing it from shorting against the enclosure lid is a little sheet of plastic I tossed inside at the last minute just before slapping the lid on and tightening down the screws.... you would probably call that "less than ideal".

Yet when Boss does it....
^^^ This guy knows what’s up ^^^

IMG_0114.jpeg
 
^ Old JHS is where I learned about using hot glue inside pedals. Look up a gut pic of their old Mr Magic - it's just perf board and off board wiring.

Also, "commercial" denotes that a product should be available in perpetuity and should be available for sale with the intent of turning a profit. If you sell a limited quantity of one type pedal, and then stop, you haven't really done that. You could make a brand that sells limited quantity releases of different types of pedals, and then your brand would be a commercial entity, and as an extension, so would your pedals. Part of the meaning of "commercial" includes brand recognition and existence in the zeitgeist.

What constitutes a "good" pedal is purely subjective. If you don't like the sound of a pedal that happens to be made with quality components, but you do like another pedal made with maybe mid tier resistors and capacitors, and no mojo parts, but has a more pleasing sound, then the quality/price/country of manufacture of the parts doesn't matter. Many people see "Made in USA" and equate that with quality and are going to be biased regardless of what the pedal sounds like.

Commercially available =/= quality, almost by definition of a free market
 
Commercial != industrial

Lots of DIYers sell their stuff. Call it boutique and ask chatGPT for fancy marketing words xD

Just try to use good quality components (less failing), and develop a process good enough so that you don't have to put a lot of hours per pedal and avoid having to solder-desolder-solder-etc.

Results using PedalPCB designs are very professional. Have you seen gut pics of older JHS pedals?

View attachment 99702
Holy shit that's a lot of glue.
 
In my opinion, it's hard to compare the industry and diy builders.

We need comparison criteria.

The industry like Boss or others have factories available for them, with expensive devices and machines to help them reach an optimal ratio between expenses and quality. Which can be both advantageous and an inconvenience. They can do reliable builds on a large scale, but they can't go too far with quality and craftmanship, for competitive issues. Industry prioritizes money benefits, which lead them to all kinds of compromises.

The level of a diy builder varies, depending on the level of interest for the project, the diy builder's experience, and the craftmanship knowledge.

Someone with 40 years experience, with some craftmanship background or skills, will be completely different than someone like me, a music player who just wanted to save money and try many circuits.

I mean, i mostly build kits. Fortunately, there are people like Klaus at musikding, who is able to source all the parts carefully and accurately and send them to me.

On forums like this one, i realized some builders spend countless hours sourcing parts, and it can become a great skill, increasing the build quality, depending on their level of electronic knowledge, experience in sourcing parts, and their budget.

Some diy builders are using bare aluminium enclosures and use a marker to write the controls, maybe a sticker to decorate the build, or a piece of paper slipped under the controls screws.
Other builders are real artists, working on the enclosure in their own singular way.
Using etching with great skills, or woodcraft, etc.
All these hours spent only on the enclosure will most certainly increase tremendously the overall build's quality.

I also built a few perfboard and veroboard projects, and i could see how different it is when we don't have a pcb. For me, that's where it becomes truely interesting in terms of craftmanship. All sorts of little details start to matter.
I can spend 6 hours on a kit, and 3 days or 3 weeks on a vero project if im trying to do everything right, the way some very experienced builders taught me to do things.

As a conclusion i'd say that some diy builds are ordinary, even mediocre, the builder didn't intend to make a piece of art, just a quick job to test some circuit, and move on.
On the other hand, some diy builds are remarquable, priceless, made with artistical intents, thanks to amazing craftmanship skills that can't be found in the industry.
Some diy builders are interested in playing guitar, they build the project as fast as they can, other builders are more interested in the building process and they'll focus on doing the best they can.
 
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