Let me walk through it.
The Buffer, Transformer and 'Edge' control are all there to counteract the shrillness you get when putting a Rangemaster downstream from a buffer.
- We're only using half of the Transformer, so it behaves as an Inductor to 'simulate' the response of guitar pickups. It's far from accurate simulation, but it gets the job done.
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- The switch allows you to switch between half and full inductance, which moves the resonant peak and corner frequency of high rolloff. AMZ describes it like a single-coil vs humbucker response, and that isn't a huge stretch either.
- 'Edge' is your tone control that goes from icepicky highs clockwise to dulled highs counterclockwise. It's interactive with the transformer as well as the low-Z HPF circuit that follows it, but since we're making analogies, think of this as your cable length.
A couple of changes have been made to the RoG Omega as well.
- The 'Clarity' control gradually allows a Ge diode clip the signal. Turning it counterclockwise adds some reminiscence of a the grittyness of a Germanium Transistor if you're looking for that. The clipping is asymmetrical and unfiltered. It loads the Transistor, limits headroom a bit and _does not_ sound like an overdrive. Turning it fully clockwise gives you the loudest, most clear, punchy signal. You'll be surprised how well it works. (Check out the
Electrosmash article to see how the original unit gently clips.)
- The added trimpot (R8) is a nice-to-have. It helps you fine-tune the output of Q2, while changing the bias point of Q3. At center there is no change from the original circuit. Adjust to taste to make your circuit a little hotter or cooler.